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Rechargeable Li-ion Battery LP-E4N (supplied), 1xCR2025 for date & settings
Battery weight (gr)
Tropicalization
Camera material
Metal
Mount material
Metal
View finder type
Optical
View finder magnification
0.76
View finder coverage
100
Mirror lockup
View finder diopter
-3 to +1
Monitor type
LCD
Monitor size
3.2
Monitor pixel
1040000
Articulated screen
Yes
Touch screen
Yes
Contrast screen
Low-pass filter
Focus mode
Yes
Autofocus modes
One Shot
AI Servo
Number of autofocus points
61
Exposure bracketing
Exposure compensation
+/-5 EV in 1/3 or 1/2 stop increments (can be combined with AEB).
Drive modes
Single, Continuous L, Continuous H, Self timer (2s+remote, 10s+remote), Silent single shooting
Buffer size
Recording medium
2x CompactFlash Type I/II (incompatible with Microdrive) (UDMA 7 compatible)
Image format
JPEG: 10 compression options (Exif 2.3 compliant) / Design rule for Camera File system (2.0),
RAW: RAW, sRAW (14bit, Canon original RAW 2nd edition),
Digital Print Order Format [DPOF] Version 1.1 compliant
White balance bracketing
+/-3 levels in single level increments
3 bracketed images per shutter release.
Selectable Blue/Amber bias or Magenta/ Green bias.
Connectivity
Hi-Speed USB, Video output (PAL/ NTSC) (integrated with USB terminal), HDMI mini output (HDMI-CEC compatible), Extension system terminal (for WFT-E6/GP-E1), External microphone (Stereo mini jack), RJ-45(gigabyte ethernet)
Bluetooth
No
3G
No
Sound recording
Yes, WAVE (monaural)
External micro
Yes
Histogram
Yes
GPS
No
Video
Yes
Maximum format image video
1920 x 1080 / 29.97 fps
Full HD
Yes
Live autofocus
Video file format
MOV (Video: H.264 Intra frame / inter frame, Sound: Linear PCM)
Video codec
H264
Video stabilisation
Yes
Certain fields may be left blank. They will be updated as soon as possible.
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
Canon was the last major maker to embrace the hybrid or ‘mirrorless’ camera market. As a somewhat sober debut, designed for those who are new to photography, the EOS M adopts an 18-megapixel APS-C format in a compact body but boasts a number of advanced features including a 31-point hybrid AF system for stills and video and a touch sensitive 3-inch LCD. While it’s clear this camera doesn’t compete directly with the firm’s DSLRs, how does it stack up against the competition that don’t have the same volume of DSLR sales to protect?
The new Sony SLT Alpha 99, Sony’s first full-frame DSLR equivalent in three years, combines the company’s latest and greatest 24.3-megapixel Exmor CMOS sensor with its SLT (Single Lens Translucent) technology to deliver impressive image quality combined with fast and continuous autofocus while shooting still images and videos.
Adding a new line to the Canon EOS range, the EOS 6D is a fusion of the EOS 7D and the EOS 5D Mark III, that also includes some trickle down technology from the EOS-1D X. How does the EOS 6D fare against its competitors and more illustrious stable mates? Our tests reveal the answer.
By replacing two predecessors with the Canon EOS-1D X, its new flagship professional DSLR, Canon hopes to deliver both the top-notch image quality of the studio-oriented Canon EOS 1Ds Mark III and the superfast performance of the Canon EOS 1D Mark IV sports shooter. A compromise of sorts between speed and image quality, the 1D X manages to deliver enough improvements to satisfy both markets.
A noise benchmark of 187 digital cameras by Peter van den Hamer
DxOMark Camera Sensor is a raw benchmark for camera bodies by DxO Labs. The benchmark is “raw” because it measures image quality using Raw output files. It is also raw as DxO’s data can be used to cook up camera reviews that cover more aspects than image quality.
The EOS 1D X is the new flagship camera announced at the top of Canon's professional range of DSLRs. It will have the difficult task to replace both the sport-specialized, fast 1D series and the studio-oriented, high resolution 1DS series.
A few weeks ago, in response to the announcement of the Canon EOS 1D X, Nikon unveiled its new flagship camera, the Nikon D4, which replaces the D3s at the top of the Nikon DSLR line-up.
In the course of the past several weeks, both Canon and Nikon unveiled their professional digital reflex cameras for the next two years to come. With the D4, Nikon has updated a number of points in its pro camera body which cumulatively lead to an entirely new generation of SLR camera.
Three-and-a-half years after the release of the full-frame reflex EOS 5D Mark II, Canon finally unveils its successor, the EOS 5D Mark III, a reflex camera that takes several significant qualitative and functional leaps forward by borrowing the latest must-haves in photo technology from the EOS 7D and the EOS-1D X.
Three-and-a-half years after the release of the full-frame reflex EOS 5D Mark II, Canon finally unveils its successor, the EOS 5D Mark III, a reflex camera that takes several significant qualitative and functional leaps forward by borrowing the latest must-haves in photo technology from the EOS 7D and the EOS-1Dx.
After months of rumors swirling about, today Canon finally launched its new flagship DSLR: the Canon EOS 1D X. This new camera will replace not just the EOS 1Ds but also all EOS 1D current models... and will bring the APS-H sensor size to an end.
Further readings for the Canon EOS 1D Mark IV
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
The EOS 1D X is the new flagship camera announced at the top of Canon's professional range of DSLRs. It will have the difficult task to replace both the sport-specialized, fast 1D series and the studio-oriented, high resolution 1DS series.
In the course of the past several weeks, both Canon and Nikon unveiled their professional digital reflex cameras for the next two years to come. With the D4, Nikon has updated a number of points in its pro camera body which cumulatively lead to an entirely new generation of SLR camera.
After months of rumors swirling about, today Canon finally launched its new flagship DSLR: the Canon EOS 1D X. This new camera will replace not just the EOS 1Ds but also all EOS 1D current models... and will bring the APS-H sensor size to an end.
Nikon and Canon launched their new top-of-the-line cameras for news and sports photography at the end of 2009. The Nikon D3s replaced the NikonD3, and the Canon EOS 1D Mark IV replaces the Canon EOS 1D Mark III. On the one hand, the Nikon D3s’s sensor specifications remain very close to those of the Nikon D3; on the other hand, Canon replaced the Mark III’s 10 Mpix sensor with a new 15.9 Mpix sensor with the same sensor surface.
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
Introduced in February 2012, the EF24-70mm f/2.8L II USM is the long-awaited update to Canon’s pro-grade standard zoom and replaces the highly regarded EF24-70mm f/2.8L USM. Designed with the objective of improving image quality and providing greater durability for daily use with digital cameras, it has a completely revised optical design as well as an enhanced mechanical construction. As full-frame lens, it’s compatible with the firm’s full range of DSLRs including 1.6 (APS-C) and older APS-H (1.3x crop) DSLRs making it an attractive choice to a wide of range users. However, at around $2,500 it’s not likely to be a casual purchase.
Adding a new line to the Canon EOS range, the EOS 6D is a fusion of the EOS 7D and the EOS 5D Mark III, that also includes some trickle down technology from the EOS-1D X. How does the EOS 6D fare against its competitors and more illustrious stable mates? Our tests reveal the answer.
By replacing two predecessors with the Canon EOS-1D X, its new flagship professional DSLR, Canon hopes to deliver both the top-notch image quality of the studio-oriented Canon EOS 1Ds Mark III and the superfast performance of the Canon EOS 1D Mark IV sports shooter. A compromise of sorts between speed and image quality, the 1D X manages to deliver enough improvements to satisfy both markets.
The EOS 1D X is the new flagship camera announced at the top of Canon's professional range of DSLRs. It will have the difficult task to replace both the sport-specialized, fast 1D series and the studio-oriented, high resolution 1DS series.
In the course of the past several weeks, both Canon and Nikon unveiled their professional digital reflex cameras for the next two years to come. With the D4, Nikon has updated a number of points in its pro camera body which cumulatively lead to an entirely new generation of SLR camera.
Three-and-a-half years after the release of the full-frame reflex EOS 5D Mark II, Canon finally unveils its successor, the EOS 5D Mark III, a reflex camera that takes several significant qualitative and functional leaps forward by borrowing the latest must-haves in photo technology from the EOS 7D and the EOS-1D X.
This 2010 successor to the APO MACRO 150mm F2.8 EX DG HSM, which came on the market in October 2004, incorporates the latest innovations in optics technology.
After months of rumors swirling about, today Canon finally launched its new flagship DSLR: the Canon EOS 1D X. This new camera will replace not just the EOS 1Ds but also all EOS 1D current models... and will bring the APS-H sensor size to an end.
