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Welcome to our camera sensor comparison tool.

With this tool you will be able to compare the image quality characteristics of different RAW-capable camera models.
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Scores and measurements are available only for tested cameras. For preview cameras, you can compare their specs.

Canon PowerShot G1X
Canon PowerShot G1X

DxOMark Sensor Scores

Overall Score
[?]
60
Portrait
(Color Depth)
[?]
21.7 bits
Landscape
(Dynamic Range)
[?]
10.8 Evs
Sports
(Low-Light ISO)
[?]
644 ISO
dxomark
Sony NEX-7
Sony NEX-7

DxOMark Sensor Scores

Overall Score
[?]
81
Portrait
(Color Depth)
[?]
24.1 bits
Landscape
(Dynamic Range)
[?]
13.4 Evs
Sports
(Low-Light ISO)
[?]
1016 ISO
dxomark
Canon PowerShot G1X
Canon PowerShot G1X

Manufacturer specifications

Type High-end compact 
Announced 2012-01-09 
Indicative price (USD) 799  
Sensor type CMOS 
Resolution 4496 x 3366  
Sensor photo detectors (Mpix) 15.13  
Sensor size (mm) 14.0 x 18.7 
Color filter array RGB 
Pixel pitch (µm) 4.16  
Bits per pixel 14.0 
Focal length multiplier 1.85 
Aspect Ratio 4:3 
ISO latitude  100 - 12800 
Shutter type Electronic 
Fastest - Slowest speed (s) 1/4000 - 60.0  
Frame rate (fps) 4.5  
Live view  Yes 
Stabilization  Yes 
Firmware  
Dust cleaning 
Mount type  
Weight (gr) 492  
Battery type Li-ion, BP NB-10L, 7.4 V, 920 mAh 
Battery weight (gr) 40 
Tropicalization  
Camera material Metal 
Mount material  
View finder type Optical 
View finder magnification  
View finder coverage  
Mirror lockup  
View finder diopter  
Monitor type LCD 
Monitor size 3 
Monitor pixel 922000 
Articulated screen Yes 
Touch screen No 
Contrast screen  
Low-pass filter  
Focus mode Yes 
Autofocus modes  
Number of autofocus points  
Exposure bracketing  
Exposure compensation +/-3 stops in 1/3-stop increments 
Drive modes Single Continuous Continuous with AF Self-timer (10-sec., 2-sec., custom: 0 - 15 sec. (in one-second increments), 20/25/30 sec.)  
Buffer size  
Recording medium SD Memory Card, SDHC Memory Card, SDXC Memory Card 
Image format JPEG (Exif 2.3) RAW (CR2) DPOF 1.1 
White balance bracketing No 
Connectivity USB USB 2.0 (480Mbit/sec) HDMI Yes (Mini) Wireless None Remote control Yes (Optional (RS60-E3)) 
Bluetooth No 
3G No 
Sound recording Yes 
External micro Yes, Stereo 
Histogram Yes 
GPS No 
Video Yes 
Maximum format image video 1920 x 1080 / 24 fps 
Full HD Yes 
Live autofocus Yes 
Video file format MOV 
Video codec H264 
Video stabilisation  

Certain fields may be left blank. They will be updated as soon as possible.
dxomark
Sony NEX-7
Sony NEX-7

Manufacturer specifications

Type Hybrid 
Announced 2011-08-24 
Indicative price (USD) 1720  
Sensor type CMOS 
Resolution 6024 x 4024  
Sensor photo detectors (Mpix) 24.24  
Sensor size (mm) 15.6 x 23.5 
Color filter array RGB 
Pixel pitch (µm) 3.9  
Bits per pixel 12.0 
Focal length multiplier 1.50 
Aspect Ratio 3:2 
ISO latitude  100 - 16000 
Shutter type Mechanical 
Fastest - Slowest speed (s) 1/4000 - 30.0  
Frame rate (fps) 10.0  
Live view  Yes 
Stabilization  No 
Firmware  
Dust cleaningYes 
Mount typeSony E  
Weight (gr) 400  
Battery type Li-ion, NP-FW50 
Battery weight (gr)  
Tropicalization  
Camera material Metal top plate, Polycarbonate 
Mount material  
View finder type No 
View finder magnification  
View finder coverage  
Mirror lockup  
View finder diopter  
Monitor type LCD 
Monitor size 3 
Monitor pixel 921600 
Articulated screen Yes 
Touch screen No 
Contrast screen  
Low-pass filter  
Focus mode Yes 
Autofocus modes Single-shot AF(AF-S), Continuous AF(AF-C) selectable, Direct Manual Focus (DMF), Manual Focus 
Number of autofocus points 25 
Exposure bracketing Yes, +/-5.0 EV (1/3EV steps), 3 frames 
Exposure compensation +/-5.0 EV(1/3EV steps) 
Drive modes Single-shot, Continuous, Speed Priority, Self-timer, Continuous Self-timer, Bracketing 
Buffer size  
Recording medium  
Image format JPEG, RAW (ARW) 
White balance bracketing  
Connectivity USB 2.0 (High Speed), HDMI (mini type C) 
Bluetooth No 
3G No 
Sound recording Yes 
External micro Yes (smart accessory terminal) 
Histogram Yes 
GPS  
Video Yes 
Maximum format image video 1920 x 1080 (60 fps) 
Full HD No 
Live autofocus  
Video file format MP4 
Video codec MPEG-4 Visual 
Video stabilisation  

Certain fields may be left blank. They will be updated as soon as possible.
dxomark

Further readings for the Canon PowerShot G1X

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Camera Review  |  November 29, 2012
Canon PowerShot G15 review: Have Canon got the balance right?

Canon’s PowerShot G15 is the latest iteration of the popular G-series compacts aimed at enthusiasts. It packs a number of refinements over its predecessor, not the least being a new f/1.8-2.8 high-speed zoom, larger, high-resolution screen and a smaller, more compact body. It also marks the move from CCD to a Canon made CMOS with a fourfold increase in maximum sensitivity and full HD (1080p) video capture. Will the new Canon show any advance in image quality over the earlier G12? Read on to find out.
Camera Review  |  October 29, 2012
Nikon 1 J2 – All Quiet on the Eastern Front

The Nikon 1 J2 retains many of the same characteristics of its older brother, the J1, including its 1", 10-Mpix CMOS sensor. Other than its new 3", 921,000-point screen, the new version of Nikon’s compact hybrid puts particular emphasis on creative modes. How does the Nikon 1 J2’s sensor perform with respect to its predecessor, to its direct competitors, and to expert-level hybrids and compacts? Some answers from DxOMark.
Camera Review  |  June 06, 2012
Sony Cyber-shot DSC-RX100

A “premium” digital camera, the Sony DSC-RX100 is not lacking in persuasiveness: a larger-than-usual  CMOS sensor; a bright, high-quality wide-angle (f1/8) lens; a more compact size than all other expert APNs on the market; and a weight that is only half that of the Canon PowerShot G1 X. All complemented by the latest Sony image technologies, such as 50p video, rapid burst shooting, integrated HDR, shooting at night without a tripod, and a brand-new “WhiteMagic” display screen. Does this mean that the Cyber-shot DSC-RX100 will become the new camera of reference among expert compacts?
Camera Review  |  March 19, 2012
Sony SLT-A57 Review

Sony unveiled its 2012 line and introduced the Sony SLT-A57, an updated version of its first digital SLR camera with a video viewfinder and EVF, the SLT-A55.
Camera Review  |  January 31, 2012
DxOMark - Canon PowerShot G1X

With 15 MPix on a 14.0 mm x 18.7 mm sensor in an $800 bridge camera intended for the general public, the appearance of the Canon PowerShot G1X was one of the big events at CES 2012.
Camera Review  |  January 11, 2012
Panasonic Lumix GX1

Here are the results for the latest camera in Panasonic’s micro-four-thirds line, the Panasonic Lumix DMC GX1. When equipped with a 14-42mm pancake lens and lateral-lever zoom, this is a very compact camera indeed.
Preview  |  January 11, 2012
Canon G1 X

At CES 2012, Canon just announced what could be their answer to the emergence of compact cameras with interchangeable lenses: the Canon PowerShot G1 X.

Further readings for the Sony NEX-7

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Camera Review  |  March 29
Nikon Coolpix A Sensor Review: Nikon’s first compact packing an APS-C sensor

Launched in March 2013 the $1097 Coolpix A is Nikon’s first compact camera with an APC-S sensor and features the same 16.2-megapixel DX sensor from Nikon’s D7000 DSLR but with its optical low-pass filter removed. Utilizing a fixed NIKKOR 18.5mm f/2.8 prime lens (equivalent to 28mm in 35mm terms) the Nikon Coolpix A has the right ingredients for great image quality so let’s see how it performs.       
Camera Review  |  January 18
Nikon D5200 review: New sensor and new leader

After the introduction of the entry-level 24Mpix D3200 early last year it seemed inevitable that the rest of the firm’s APS-C (DX) range would be refreshed with the same sensor. While the gestation of the new 24Mpix D5200 has taken longer than most people could of reasonably predicted, the sensor is, in fact, a new design and the first from a different vendor for Nikon. We’ve recently put the new camera through our labs, read on to see how the new sensor performs.
Camera Review  |  April 02
Sony NEX-3N: Stylish replacement to NEX-F3

Sony’s annual update to the NEX range has so far failed to deliver the expected high-end replacement to the NEX-7. However, Sony has added the promising NEX-6 and refrevshed the popular, entry-level NEX-F3 with this new sleek looking model. Read on to see how well it performed in our labs.
Article  |  January 11
DxOMark Camera Sensor

A noise benchmark of 187 digital cameras by Peter van den Hamer

DxOMark Camera Sensor is a raw benchmark for camera bodies by DxO Labs. The benchmark is “raw” because it measures image quality using Raw output files. It is also raw as DxO’s data can be used to cook up camera reviews that cover more aspects than image quality.
Camera Review  |  November 28, 2012
Sony NEX-6 review – The logical CSC choice?

Announced in September 2012, the Sony NEX-6 creates a new range in the Sony line-up. It sits between the flagship Sony NEX-7 and the mid-range Sony NEX-5R offering features and performance benefits to beginner and advanced photographers alike. Providing a simplified user-interface than the NEX-7, the NEX-6 is none-the-less fully featured with a high-resolution OLED viewfinder, Full HD video recording and a tilt-adjustable screen for ease of use.
Camera Review  |  January 04
Canon EOS M review: Canon finally joins the mirrorless party

Canon was the last major maker to embrace the hybrid or ‘mirrorless’ camera market. As a somewhat sober debut, designed for those who are new to photography, the EOS M adopts an 18-megapixel APS-C format in a compact body but boasts a number of advanced features including a 31-point hybrid AF system for stills and video and a touch sensitive 3-inch LCD. While it’s clear this camera doesn’t compete directly with the firm’s DSLRs, how does it stack up against the competition that don’t have the same volume of DSLR sales to protect?
Camera Review  |  November 28, 2012
Sony NEX-6 – The logical CSC choice?

Announced in September 2012, the Sony NEX-6 creates a new range in the Sony line-up. It sits between the flagship Sony NEX-7 and the mid-range Sony NEX-5R offering features and performance benefits to beginner and advanced photographers alike. Providing a simplified user-interface than the NEX-7, the NEX-6 is none-the-less fully featured with a high-resolution OLED viewfinder, Full HD video recording and a tilt-adjustable screen for ease of use.
Camera Review  |  February 14
Panasonic Lumix DMC-GH3 review

Hybrid is a word used both positively and negatively, quite appropriate for the photographic industry. The Panasonic Lumix DMC-GH3 wears this badge: "Hybrid", a mix of system and compact. It has a range of lenses spanning 7mm to 300mm (equivalent to 14mm up to 600mm in full frame 35mm) and a body that is not much bigger than a compact camera. Should it wear it with pride? Yes, it should…
Camera Review  |  November 15, 2012
Olympus Pen E-PL5: Qualities of the OM-D E-M5

With the Pen E-PL5, Olympus updates its range of micro 4:3 compact hybrids with redesigned ergonomics, upgraded electronics, and especially with the integration of the same 16Mpix LiveMos sensor found in the OM-D E-M5. Will it show the same advances in image quality as the flagship camera of its line? Our tests provide the answer.
Camera Review  |  October 30, 2012
Sony NEX-6: The compact hybrid synthesis

The Sony NEX-6 is a well-thought-out compact hybrid that, like the NEX-7, takes into account the needs of the expert amateur, but also considers the needs of beginning photographers as well.
Camera Review  |  October 30, 2012
SLT-A99: Sony is back in full-frame fight

Finally, a Sony full-frame DSLR: the last one was the Alpha 850. But though the new full-format 24Mpix camera shines with all of its new technology and features, it now belongs to the family of cameras with electronic viewfinders instead of with the Alpha 900 and its traditional DSLR viewfinder. With this new positioning, Sony stands out from among the leading lights in this market segment.
Camera Review  |  October 04, 2012
Sony NEX-F3

The NEX-F3 is one of three Sony mirrorless camera models released in 2012, and it’s the company’s eighth since the launch of the NEX line in 2010. The NEX-F3 borrows heavily from higher-end models, but also taps much of the technology found in its predecessor. So is there any big evolution in sensor quality for the NEX-F3? Or were most of the changes to the camera cosmetic? DxOMark has some answers.
Camera Review  |  September 25, 2012
Olympus OM-D E-M5: The best of the micro 4:3 cameras

Olympus caused a sensation when it revived the legendary OM line that had enjoyed its heyday in the silver halide era. The Olympus OM-D E-M5 successfully revisits the OM design in terms of its ergonomics and workmanship. Olympus has quite precisely taken advantage of this new family in its line of compact hybrid micro 4:3 cameras to introduce a new 16 Mpix Live MOS sensor. What is this new sensor all about? Does it represent an improvement over current Pen sensors? Does it help the micro 4:3 category to catch up with the APS-C hybrids (with the Sony NEX in the lead)? Our sensor review provides the answers.
Camera Review  |  April 20, 2012
Nikon D3200

We are already acquainted with the D3200: apart from a few ergonomic details, it’s the same camera as the compact and lightweight D3100 SLR, though missing the secondary display on its bridge for even greater compactness. The D3200 weighs only 454 grams (without battery or card). Unlike the D3100, the D3200’s lens is off-center for better balance and the highly practical LiveView/video mode activation tab of the D3100 and the D5100 has disappeared in favor of a more ergonomically mundane video recording button. The D3200 comes with a second (dorsal) infrared sensor to complement its front sensor for more practical infrared remote control. The motor selection tab (single-frame, burst, timer, remote control) is gone as well, again replaced by a direct-access button.
Preview  |  February 02, 2012
Pentax K-01

Following the hybrid camera trend and after the limited success of the Pentax Q, Pentax is announcing today a new compact camera with interchangeable lenses, the Pentax K-01.
Camera Review  |  November 30, 2011
Sony NEX 7

Ever since we tested the Sony SLT A77, we’ve been very curious to see how the soon-to-be released Sony NEX 7 would compare. And today we have the answer: as we expected, the absence of a mirror gives the NEX7 some advantages. Below is a detailed look.
Camera Review  |  October 06, 2011
Sony NEX 5N

Just as the NEX C3 succeeded the NEX 3, it's now time for the NEX 5 to be replaced by the NEX 5N. But although some successions are only slight redesigns, the 5N is a completely new camera.
Camera Review  |  September 29, 2011
Nikon 1 Series cameras

It’s rare in the world of photography for a manufacturer to come up with an entirely new product line from scratch, and it’s equally rare for a famous manufacturer such as Nikon (the world market leader) to offer a new lens mount (Nikon CX). This makes the launch of the Nikon 1 line (Nikon J1 and Nikon V1) a major event in photography this fall.
Camera Review  |  September 23, 2011
Sony A77, measurements and review of the world’s first 24 MPix APS-C camera

When the Sony A77 was announced a couple of weeks ago as a replacement for the Sony Alpha 700, Sony’s semi-professional APS-C camera, we were all very impressed by its specifications. So we were really excited to see how it would perform in our tests.

Here are our results.
News  |  September 21, 2011
Nikon J1 and Nikon V1 announcement

The long awaited and rumored mirrorless Nikon camera was finally announced today. And it’s not just one but a pair of new mirrorless compact “1 System” cameras that are coming to compete with the Sony NEX 7, the Pentax Q, the Olymps PEN EP3 or even the Fujifilm FinePix X10. These 2 first models in this new Nikon 1 series are the Nikon J1 and Nikon V1.