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Welcome to our camera sensor comparison tool.

With this tool you will be able to compare the image quality characteristics of different RAW-capable camera models.
Please select up to three cameras to compare them.

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Scores and measurements are available only for tested cameras. For preview cameras, you can compare their specs.

Panasonic Lumix DMC G5
Panasonic Lumix DMC G5

DxOMark Sensor Scores

Overall Score
[?]
61
Portrait
(Color Depth)
[?]
21.4 bits
Landscape
(Dynamic Range)
[?]
11.6 Evs
Sports
(Low-Light ISO)
[?]
618 ISO
dxomark
Sony NEX-F3
Sony NEX-F3

DxOMark Sensor Scores

Overall Score
[?]
73
Portrait
(Color Depth)
[?]
22.7 bits
Landscape
(Dynamic Range)
[?]
12.3 Evs
Sports
(Low-Light ISO)
[?]
1114 ISO
dxomark
Panasonic Lumix DMC G3
Panasonic Lumix DMC G3

DxOMark Sensor Scores

Overall Score
[?]
56
Portrait
(Color Depth)
[?]
21 bits
Landscape
(Dynamic Range)
[?]
10.6 Evs
Sports
(Low-Light ISO)
[?]
667 ISO
dxomark
Panasonic Lumix DMC G5
Panasonic Lumix DMC G5

Manufacturer specifications

Type Hybrid 
Announced 2012-07-18 
Indicative price (USD) 650  
Sensor type CMOS 
Resolution 4624 x 3472  
Sensor photo detectors (Mpix) 16.05  
Sensor size (mm) 13.0 x 17.3 
Color filter array RGB 
Pixel pitch (µm) 3.74  
Bits per pixel 12.0 
Focal length multiplier 2.00 
Aspect Ratio 4:3 
ISO latitude  160 - 12800 
Shutter type Mechanical 
Fastest - Slowest speed (s) 1/4000 - 60.0  
Frame rate (fps) 20, 6, 3.7 or 2  
Live view  Yes 
Stabilization  No 
Firmware  
Dust cleaningYes 
Mount typeMicro 4/3  
Weight (gr)  
Battery type Li-ion, Battery Pack, 7.2V 1.200mAh 
Battery weight (gr)  
Tropicalization No 
Camera material Plastic 
Mount material Metal 
View finder type Electronic 
View finder magnification 0.7 
View finder coverage 100 
Mirror lockup  
View finder diopter -4.0 to +4.0 
Monitor type LCD 
Monitor size 3 
Monitor pixel 920000 
Articulated screen Yes 
Touch screen Yes 
Contrast screen  
Low-pass filter  
Focus mode Yes 
Autofocus modes AFS (Single), AFF (Flexible), AFC (Continuous), MF 
Number of autofocus points 23 
Exposure bracketing  
Exposure compensation  
Drive modes Single, Continuous (SH: 20 frames/sec (4M), H: 6.0 frames/sec (with AFS), M: 3.7 frames/sec (with Live View), L: 2.0 frames/sec (with Live View)), Self-time (10 sec, 3 images / 2 sec / 10 sec) 
Buffer size 9 (RAW) 
Recording medium SD / SDHC / SDXC 
Image format JPEG, RAW (RW2), MPO 
White balance bracketing 3 exposures in blue/amber axis or in magenta/green axis 
Connectivity USB 2.0 High Speed, mini HDMI TypeC, AV (Monaural Type, NTSC / PAL, NTSC only for North America) 
Bluetooth No 
3G No 
Sound recording Yes 
External micro No 
Histogram Yes 
GPS No 
Video Yes 
Maximum format image video 1920 x 1080 / 60 
Full HD Yes 
Live autofocus Yes 
Video file format AVCHD and MP4 
Video codec  
Video stabilisation  

Certain fields may be left blank. They will be updated as soon as possible.
dxomark
Sony NEX-F3
Sony NEX-F3

Manufacturer specifications

Type Hybrid 
Announced 2012-05-17 
Indicative price (USD) 600  
Sensor type CMOS 
Resolution 4928 x 3276  
Sensor photo detectors (Mpix) 16.14  
Sensor size (mm) 15.6 x 23.5 
Color filter array RGB 
Pixel pitch (µm) 4.77  
Bits per pixel 12.0 
Focal length multiplier 1.50 
Aspect Ratio 3:2 
ISO latitude  100 - 16000 
Shutter type Mechanical 
Fastest - Slowest speed (s) 1/4000 - 30.0  
Frame rate (fps) 6.0  
Live view  Yes 
Stabilization  No 
Firmware  
Dust cleaningYes 
Mount typeSony E  
Weight (gr) 255  
Battery type NP-FW50 
Battery weight (gr)  
Tropicalization No 
Camera material Metal top plate, Polycarbonate 
Mount material Metal 
View finder type No 
View finder magnification  
View finder coverage  
Mirror lockup  
View finder diopter  
Monitor type LCD 
Monitor size 3 
Monitor pixel 921600 
Articulated screen Yes 
Touch screen No 
Contrast screen  
Low-pass filter  
Focus mode Yes 
Autofocus modes Single-shot AF(AF-S), Continuous AF(AF-C) selectable, Direct Manual Focus (DMF), Manual Focus 
Number of autofocus points 25 
Exposure bracketing Yes, +/-0.7 EV (1/3EV or 0.7EV steps), 3 frames 
Exposure compensation +/-5.0 EV(1/3EV steps) 
Drive modes Single-shot, Continuous, Speed Priority, Self-timer, Continuous Self-timer, Bracketing 
Buffer size  
Recording medium Memory Stick PRO Duo/PRO-HG Duo/SD/SDHC/SDXC 
Image format JPEG, RAW (ARW) 
White balance bracketing  
Connectivity USB 2.0 (High Speed), HDMI (mini type C) 
Bluetooth No 
3G No 
Sound recording Yes 
External micro  
Histogram Yes 
GPS  
Video Yes 
Maximum format image video 1280 x 720 29.97 
Full HD No 
Live autofocus  
Video file format MP4 
Video codec MPEG-4 
Video stabilisation  

Certain fields may be left blank. They will be updated as soon as possible.
dxomark
Panasonic Lumix DMC G3
Panasonic Lumix DMC G3

Manufacturer specifications

Type Hybrid 
Announced 2011-05-12 
Indicative price (USD) 599  
Sensor type Live MOS  
Resolution 4608 x 3464  
Sensor photo detectors (Mpix) 15.96  
Sensor size (mm) 13.0 x 17.3 
Color filter array RGB 
Pixel pitch (µm) 3.75  
Bits per pixel 12 
Focal length multiplier 2.00 
Aspect Ratio 4:3 
ISO latitude  160 - 6400 
Shutter type mechanical 
Fastest - Slowest speed (s) 1/4000 - 60.0  
Frame rate (fps) 4.0  
Live view  Yes 
Stabilization  No 
Firmware  
Dust cleaningYes 
Mount typeMicro 4/3  
Weight (gr) 336  
Battery type ID-Security Li-ion Battery Pack (7.2V, 1010mAh) 
Battery weight (gr)  
Tropicalization  
Camera material Plastic 
Mount material Metal 
View finder type Electronic 
View finder magnification 1.4 
View finder coverage 100 
Mirror lockup No mirror 
View finder diopter -4 to +4 
Monitor type LCD 
Monitor size 3 
Monitor pixel 460000 
Articulated screen Yes 
Touch screen Yes 
Contrast screen  
Low-pass filter  
Focus mode Yes 
Autofocus modes Face detection / AF Tracking / 23-area-focusing, 1-area-focusing / Pinpoint Touch (1- area-focusing in Face detection / AF Tracking / Multi-area-focusing / 1-area-focusing / Pinpoint 
Number of autofocus points  
Exposure bracketing  
Exposure compensation  
Drive modes Single, SH (20 fps, 4Mpix), H (4 fps), M (3 fps with Live View), L (2 fps with Live View)  
Buffer size 0 
Recording medium SD, SDHC, SDXC 
Image format JPEG, RW2 , DPOF compatible MPO (When attaching 3D lens in Micro Four Thirds standard)  
White balance bracketing 3 exposures in blue/amber axis or in magenta/green axis  
Connectivity miniHDMI TypeC, USB 2.0 High Speed, NTSC/PAL Video output 
Bluetooth No 
3G No 
Sound recording Yes : Stereo, Wind-cut (Off / Low / Standard / High) Microphone level adjustable (Lv1 / Lv2 / Lv3 / Lv4)  
External micro No 
Histogram Yes 
GPS No 
Video Yes 
Maximum format image video  
Full HD Yes 
Live autofocus Yes 
Video file format MOV 
Video codec AVCHD, QuickTime Motion JPEG  
Video stabilisation No (available on specific lens only) 

Certain fields may be left blank. They will be updated as soon as possible.
dxomark
Panasonic Lumix DMC G5
Panasonic Lumix DMC G5

View tested lens

dxomark
Sony NEX-F3
Sony NEX-F3

View tested lens

dxomark
Panasonic Lumix DMC G3
Panasonic Lumix DMC G3

View tested lens

dxomark

Further readings for the Panasonic Lumix DMC G5

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Camera Review  |  April 02
Sony NEX-3N: Stylish replacement to NEX-F3

Sony’s annual update to the NEX range has so far failed to deliver the expected high-end replacement to the NEX-7. However, Sony has added the promising NEX-6 and refrevshed the popular, entry-level NEX-F3 with this new sleek looking model. Read on to see how well it performed in our labs.
Camera Review  |  November 28, 2012
Sony NEX-6 review – The logical CSC choice?

Announced in September 2012, the Sony NEX-6 creates a new range in the Sony line-up. It sits between the flagship Sony NEX-7 and the mid-range Sony NEX-5R offering features and performance benefits to beginner and advanced photographers alike. Providing a simplified user-interface than the NEX-7, the NEX-6 is none-the-less fully featured with a high-resolution OLED viewfinder, Full HD video recording and a tilt-adjustable screen for ease of use.
Camera Review  |  November 15, 2012
Olympus Pen E-PL5: Qualities of the OM-D E-M5

With the Pen E-PL5, Olympus updates its range of micro 4:3 compact hybrids with redesigned ergonomics, upgraded electronics, and especially with the integration of the same 16Mpix LiveMos sensor found in the OM-D E-M5. Will it show the same advances in image quality as the flagship camera of its line? Our tests provide the answer.
Camera Review  |  November 08, 2012
Sony NEX 5-R: A new Sony NEX-5N?

Announced at IFA 2012, Sony’s NEX-5R  is the third version of its very popular NEX-5 camera. This new model features a 16-megapixel APS-C EXMOR sensor composed of photosites that provide autofocusing by phase detection. Has Sony improved the image quality of its latest mid-range compact hybrid? Our tests reveal the answer.
Camera Review  |  October 25, 2012
Nikon 1 V2

In the Nikon 1 line of digital compacts with interchangeable lenses, the V2 brings some nice new features: shooting at 60 i/s, Full HD video recording in 60p, different modes for slow motion, and … a new 1-inch, 14.2-megapixel, 6400 ISO CMOS sensor that we can hardly wait to test! But while we wait for its appearance on the market, here’s all the skinny on the Nikon 1 V2.
Camera Review  |  October 04, 2012
Panasonic Lumix DMC G5: New features and a new sensor

Panasonic has added a new member to its highly esteemed Lumix G-line. The 16-megapixel Lumix DMC G5 adopts the Japanese brand’s mirrorless and Micro Four Thirds technology, and it replaces the one-year-old G3. But did Panasonic’s renovation of features and design for the G5 extend to the camera’s image quality? DxOMark has some answers.

Further readings for the Sony NEX-F3

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Camera Review  |  April 02
Sony NEX-3N: Stylish replacement to NEX-F3

Sony’s annual update to the NEX range has so far failed to deliver the expected high-end replacement to the NEX-7. However, Sony has added the promising NEX-6 and refrevshed the popular, entry-level NEX-F3 with this new sleek looking model. Read on to see how well it performed in our labs.
Camera Review  |  November 08, 2012
Sony NEX 5-R: A new Sony NEX-5N?

Announced at IFA 2012, Sony’s NEX-5R  is the third version of its very popular NEX-5 camera. This new model features a 16-megapixel APS-C EXMOR sensor composed of photosites that provide autofocusing by phase detection. Has Sony improved the image quality of its latest mid-range compact hybrid? Our tests reveal the answer.
Camera Review  |  October 04, 2012
Panasonic Lumix DMC G5: New features and a new sensor

Panasonic is adding its ninth model to its growing Lumix G-series lineup. In July, the Japanese electronics giant announced the Lumix DMC G5 would replace the Lumix DMC G3. Like its predecessor, the G5 taps the increasingly popular mirrorless Micro Four Thirds technology that Panasonic co-developed back in 2008 with its cross-town Tokyo rival Olympus.
Camera Review  |  October 04, 2012
Sony NEX-F3

The NEX-F3 is one of three Sony mirrorless camera models released in 2012, and it’s the company’s eighth since the launch of the NEX line in 2010. The NEX-F3 borrows heavily from higher-end models, but also taps much of the technology found in its predecessor. So is there any big evolution in sensor quality for the NEX-F3? Or were most of the changes to the camera cosmetic? DxOMark has some answers.

Further readings for the Panasonic Lumix DMC G3

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Camera Review  |  February 04
Panasonic LUMIX DMC-FZ200: Great specs for an all-in-one shooting solution

Alongside a successful line of Mirrorless Hybrid cameras Panasonic continue to refresh their lineup of fixed lens Bridge cameras. Launched in July 2012 the Panasonic LUMIX DMC-FZ200 offers a 24x super zoom, 12fps continuous shooting and 1080 60p HD video. Upgraded from its predecessor, the Lumix DMC-FZ150, this latest model also boasts a fixed maximum aperture, higher resolution EVF, greater ISO and shutter speed ranges as well as a new HDR mode.
Camera Review  |  November 20, 2012
Olympus PEN E-PM2 review: Entry-level hybrid gets top-of-the-line sensor

Introduced in mid September, the Olympus PEN E-PM2 is the second generation of Olympus’ entry-level Micro Four Thirds hybrid camera. It sports a newly updated design with a useful, fixed grip and a touch-screen interface among other updates, but the big news is that it has inherited the sensor of the much-admired Olympus OM-D E-M5, the current top-of-the-line Micro Four Thirds camera.
Camera Review  |  October 04, 2012
Panasonic Lumix DMC G5: New features and a new sensor

Panasonic is adding its ninth model to its growing Lumix G-series lineup. In July, the Japanese electronics giant announced the Lumix DMC G5 would replace the Lumix DMC G3. Like its predecessor, the G5 taps the increasingly popular mirrorless Micro Four Thirds technology that Panasonic co-developed back in 2008 with its cross-town Tokyo rival Olympus.
Camera Review  |  September 25, 2012
Olympus OM-D E-M5: The best of the micro 4:3 cameras

Olympus caused a sensation when it revived the legendary OM line that had enjoyed its heyday in the silver halide era. The Olympus OM-D E-M5 successfully revisits the OM design in terms of its ergonomics and workmanship. Olympus has quite precisely taken advantage of this new family in its line of compact hybrid micro 4:3 cameras to introduce a new 16 Mpix Live MOS sensor. What is this new sensor all about? Does it represent an improvement over current Pen sensors? Does it help the micro 4:3 category to catch up with the APS-C hybrids (with the Sony NEX in the lead)? Our sensor review provides the answers.
Lens Review  |  March 28, 2012
Micro Four Thirds logo

Designed with compactness in mind, micro 4/3 lenses go for the smallest size possible most of the time. But to achieve these dimensions, they sometimes have to compromise on image quality. In this review, we cover a wide range of standard lenses, both prime and zoom, and show that not all lenses are equal in terms of the trade-off between compactness and image quality.
Camera Review  |  September 29, 2011
Nikon 1 Series cameras

It’s rare in the world of photography for a manufacturer to come up with an entirely new product line from scratch, and it’s equally rare for a famous manufacturer such as Nikon (the world market leader) to offer a new lens mount (Nikon CX). This makes the launch of the Nikon 1 line (Nikon J1 and Nikon V1) a major event in photography this fall.
Camera Review  |  May 26, 2011
DxOMark-Panasonic-Lumix-DMC-G3

Announced 2 weeks ago, the successor to the Panasonic G2 has already been tested and briefly reviewed on DxOMark. The Panasonic G3 is more than a simple revamp of its predecessor; this new model represents a leap forward for the G Series with:

  • A new 16 Mpix sensor
  • A new autofocus system
  • A touch screen and an electronic view finder
  • A very attractive price tag when compared with the launch price of the G2

When speaking about the G3’s sensor in their press release, Panasonic proclaimed it was much better than its predecessor at high ISO settings. With that said, let’s check out the DxOMark results.