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Welcome to our camera sensor comparison tool.

With this tool you will be able to compare the image quality characteristics of different RAW-capable camera models.
Please select up to three cameras to compare them.

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Scores and measurements are available only for tested cameras. For preview cameras, you can compare their specs.

Sony NEX-6
Sony NEX-6

DxOMark Sensor Scores

Overall Score
[?]
78
Portrait
(Color Depth)
[?]
23.7 bits
Landscape
(Dynamic Range)
[?]
13.1 Evs
Sports
(Low-Light ISO)
[?]
1018 ISO
dxomark
Panasonic Lumix DMC G5
Panasonic Lumix DMC G5

DxOMark Sensor Scores

Overall Score
[?]
61
Portrait
(Color Depth)
[?]
21.4 bits
Landscape
(Dynamic Range)
[?]
11.6 Evs
Sports
(Low-Light ISO)
[?]
618 ISO
dxomark
Sony NEX-6
Sony NEX-6

Manufacturer specifications

Type Hybrid 
Announced 2012-09-12 
Indicative price (USD) 848  
Sensor type CMOS 
Resolution 4912 x 3264  
Sensor photo detectors (Mpix) 16.00  
Sensor size (mm) 15.6 x 23.5 
Color filter array RGB 
Pixel pitch (µm) 4.77  
Bits per pixel 12.0 
Focal length multiplier 1.50 
Aspect Ratio 3:2 
ISO latitude  100 - 25600 
Shutter type Mechanical 
Fastest - Slowest speed (s) 1/4000 - 30.0  
Frame rate (fps) 10.0  
Live view  Yes 
Stabilization  Yes 
Firmware  
Dust cleaningYes 
Mount typeSony E  
Weight (gr) 287  
Battery type Li-ion, NP-FH50 
Battery weight (gr) 56 
Tropicalization No 
Camera material Mixed plastic 
Mount material Metal 
View finder type Electronic 
View finder magnification 1.09 
View finder coverage  
Mirror lockup  
View finder diopter  
Monitor type LCD 
Monitor size 3 
Monitor pixel 921600 
Articulated screen Yes 
Touch screen No 
Contrast screen  
Low-pass filter  
Focus mode Yes 
Autofocus modes AF-S: Single-shot AF, AF-C: Continuous AF 
Number of autofocus points 99 
Exposure bracketing Yes 
Exposure compensation +/- 5 EV 
Drive modes Single-shot, Continuous shooting, Speed Priority continuous shooting, Self-timer (10/2s delay selectable), Self-timer (10/2s delay 3/5 exposures selectable), Bracketing, Remote Cdr 
Buffer size 15 (JPEG), 11(RAW), 10 (RAW+JPEG) 
Recording medium MS PRO Duo, MS PRO-HG Duo, SD, SDHC, SDXC 
Image format JPEG, RAW(ARW) 
White balance bracketing No 
Connectivity USB 2.0/HDMI (Mini Type C) 
Bluetooth No 
3G No 
Sound recording Yes 
External micro  
Histogram Yes 
GPS  
Video Yes 
Maximum format image video 1920 x 1080 / 24 fps 
Full HD Yes 
Live autofocus  
Video file format AVCHD, MP4 
Video codec  
Video stabilisation  

Certain fields may be left blank. They will be updated as soon as possible.
dxomark
Panasonic Lumix DMC G5
Panasonic Lumix DMC G5

Manufacturer specifications

Type Hybrid 
Announced 2012-07-18 
Indicative price (USD) 650  
Sensor type CMOS 
Resolution 4624 x 3472  
Sensor photo detectors (Mpix) 16.05  
Sensor size (mm) 13.0 x 17.3 
Color filter array RGB 
Pixel pitch (µm) 3.74  
Bits per pixel 12.0 
Focal length multiplier 2.00 
Aspect Ratio 4:3 
ISO latitude  160 - 12800 
Shutter type Mechanical 
Fastest - Slowest speed (s) 1/4000 - 60.0  
Frame rate (fps) 20, 6, 3.7 or 2  
Live view  Yes 
Stabilization  No 
Firmware  
Dust cleaningYes 
Mount typeMicro 4/3  
Weight (gr)  
Battery type Li-ion, Battery Pack, 7.2V 1.200mAh 
Battery weight (gr)  
Tropicalization No 
Camera material Plastic 
Mount material Metal 
View finder type Electronic 
View finder magnification 0.7 
View finder coverage 100 
Mirror lockup  
View finder diopter -4.0 to +4.0 
Monitor type LCD 
Monitor size 3 
Monitor pixel 920000 
Articulated screen Yes 
Touch screen Yes 
Contrast screen  
Low-pass filter  
Focus mode Yes 
Autofocus modes AFS (Single), AFF (Flexible), AFC (Continuous), MF 
Number of autofocus points 23 
Exposure bracketing  
Exposure compensation  
Drive modes Single, Continuous (SH: 20 frames/sec (4M), H: 6.0 frames/sec (with AFS), M: 3.7 frames/sec (with Live View), L: 2.0 frames/sec (with Live View)), Self-time (10 sec, 3 images / 2 sec / 10 sec) 
Buffer size 9 (RAW) 
Recording medium SD / SDHC / SDXC 
Image format JPEG, RAW (RW2), MPO 
White balance bracketing 3 exposures in blue/amber axis or in magenta/green axis 
Connectivity USB 2.0 High Speed, mini HDMI TypeC, AV (Monaural Type, NTSC / PAL, NTSC only for North America) 
Bluetooth No 
3G No 
Sound recording Yes 
External micro No 
Histogram Yes 
GPS No 
Video Yes 
Maximum format image video 1920 x 1080 / 60 
Full HD Yes 
Live autofocus Yes 
Video file format AVCHD and MP4 
Video codec  
Video stabilisation  

Certain fields may be left blank. They will be updated as soon as possible.
dxomark
Sony NEX-6
Sony NEX-6

View tested lens

dxomark
Panasonic Lumix DMC G5
Panasonic Lumix DMC G5

View tested lens

dxomark

Further readings for the Sony NEX-6

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Camera Review  |  February 15
Nikon 1 J3 review: A new midrange offering doesn’t shine

Released just a month after being announced at CES 2013 alongside a new lower-end sibling (the Nikon 1 S1), the new Nikon 1 J3 now takes its place as the midrange model in Nikon’s lineup of interchangeable lens compact cameras, with a list price of $599.95 (with a 10-30mm kit lens). The J3 is an update to the Nikon 1 J2, which came out only five months prior to the announcement of the J3 and S1 and had been the camera maker’s lower-end offering.
Camera Review  |  February 14
Panasonic Lumix DMC-GH3 review

Hybrid is a word used both positively and negatively, quite appropriate for the photographic industry. The Panasonic Lumix DMC-GH3 wears this badge: "Hybrid", a mix of system and compact. It has a range of lenses spanning 7mm to 300mm (equivalent to 14mm up to 600mm in full frame 35mm) and a body that is not much bigger than a compact camera. Should it wear it with pride? Yes, it should…
Camera Review  |  January 04
Canon EOS M review: Canon finally joins the mirrorless party

Canon was the last major maker to embrace the hybrid or ‘mirrorless’ camera market. As a somewhat sober debut, designed for those who are new to photography, the EOS M adopts an 18-megapixel APS-C format in a compact body but boasts a number of advanced features including a 31-point hybrid AF system for stills and video and a touch sensitive 3-inch LCD. While it’s clear this camera doesn’t compete directly with the firm’s DSLRs, how does it stack up against the competition that don’t have the same volume of DSLR sales to protect?
Camera Review  |  December 20, 2012
Nikon 1 V2 review: Evolution, stasis or regression?

Launched in October 2012, the Nikon 1 V2 is a not unexpected update to the Nikon 1 V1, which debuted in September 2011. The Nikon 1 Series cameras are hybrid cameras with interchangeable lenses. In the case of the V1 and V2, they fall at the upper end of the segment, offering more features and a higher performance level than their more consumer oriented brethren, the Nikon 1 J1 and J2.
Camera Review  |  November 28, 2012
Sony NEX-6 review – The logical CSC choice?

Announced in September 2012, the Sony NEX-6 creates a new range in the Sony line-up. It sits between the flagship Sony NEX-7 and the mid-range Sony NEX-5R offering features and performance benefits to beginner and advanced photographers alike. Providing a simplified user-interface than the NEX-7, the NEX-6 is none-the-less fully featured with a high-resolution OLED viewfinder, Full HD video recording and a tilt-adjustable screen for ease of use.
Camera Review  |  November 28, 2012
Sony NEX-6 – The logical CSC choice?

Announced in September 2012, the Sony NEX-6 creates a new range in the Sony line-up. It sits between the flagship Sony NEX-7 and the mid-range Sony NEX-5R offering features and performance benefits to beginner and advanced photographers alike. Providing a simplified user-interface than the NEX-7, the NEX-6 is none-the-less fully featured with a high-resolution OLED viewfinder, Full HD video recording and a tilt-adjustable screen for ease of use.
Camera Review  |  October 30, 2012
Sony NEX-6: The compact hybrid synthesis

The Sony NEX-6 is a well-thought-out compact hybrid that, like the NEX-7, takes into account the needs of the expert amateur, but also considers the needs of beginning photographers as well.

Further readings for the Panasonic Lumix DMC G5

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Camera Review  |  April 02
Sony NEX-3N: Stylish replacement to NEX-F3

Sony’s annual update to the NEX range has so far failed to deliver the expected high-end replacement to the NEX-7. However, Sony has added the promising NEX-6 and refrevshed the popular, entry-level NEX-F3 with this new sleek looking model. Read on to see how well it performed in our labs.
Camera Review  |  November 28, 2012
Sony NEX-6 review – The logical CSC choice?

Announced in September 2012, the Sony NEX-6 creates a new range in the Sony line-up. It sits between the flagship Sony NEX-7 and the mid-range Sony NEX-5R offering features and performance benefits to beginner and advanced photographers alike. Providing a simplified user-interface than the NEX-7, the NEX-6 is none-the-less fully featured with a high-resolution OLED viewfinder, Full HD video recording and a tilt-adjustable screen for ease of use.
Camera Review  |  November 15, 2012
Olympus Pen E-PL5: Qualities of the OM-D E-M5

With the Pen E-PL5, Olympus updates its range of micro 4:3 compact hybrids with redesigned ergonomics, upgraded electronics, and especially with the integration of the same 16Mpix LiveMos sensor found in the OM-D E-M5. Will it show the same advances in image quality as the flagship camera of its line? Our tests provide the answer.
Camera Review  |  November 08, 2012
Sony NEX 5-R: A new Sony NEX-5N?

Announced at IFA 2012, Sony’s NEX-5R  is the third version of its very popular NEX-5 camera. This new model features a 16-megapixel APS-C EXMOR sensor composed of photosites that provide autofocusing by phase detection. Has Sony improved the image quality of its latest mid-range compact hybrid? Our tests reveal the answer.
Camera Review  |  October 25, 2012
Nikon 1 V2

In the Nikon 1 line of digital compacts with interchangeable lenses, the V2 brings some nice new features: shooting at 60 i/s, Full HD video recording in 60p, different modes for slow motion, and … a new 1-inch, 14.2-megapixel, 6400 ISO CMOS sensor that we can hardly wait to test! But while we wait for its appearance on the market, here’s all the skinny on the Nikon 1 V2.
Camera Review  |  October 04, 2012
Panasonic Lumix DMC G5: New features and a new sensor

Panasonic has added a new member to its highly esteemed Lumix G-line. The 16-megapixel Lumix DMC G5 adopts the Japanese brand’s mirrorless and Micro Four Thirds technology, and it replaces the one-year-old G3. But did Panasonic’s renovation of features and design for the G5 extend to the camera’s image quality? DxOMark has some answers.