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Welcome to our camera sensor comparison tool.

With this tool you will be able to compare the image quality characteristics of different RAW-capable camera models.
Please select up to three cameras to compare them.

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Scores and measurements are available only for tested cameras. For preview cameras, you can compare their specs.

Sony Cyber-shot DSC-RX1
Sony Cyber-shot DSC-RX1

DxOMark Sensor Scores

Overall Score
[?]
93
Portrait
(Color Depth)
[?]
25.1 bits
Landscape
(Dynamic Range)
[?]
14.3 Evs
Sports
(Low-Light ISO)
[?]
2534 ISO
dxomark
Sony SLT Alpha 77
Sony SLT Alpha 77

DxOMark Sensor Scores

Overall Score
[?]
78
Portrait
(Color Depth)
[?]
24 bits
Landscape
(Dynamic Range)
[?]
13.2 Evs
Sports
(Low-Light ISO)
[?]
801 ISO
dxomark
Sony NEX-7
Sony NEX-7

DxOMark Sensor Scores

Overall Score
[?]
81
Portrait
(Color Depth)
[?]
24.1 bits
Landscape
(Dynamic Range)
[?]
13.4 Evs
Sports
(Low-Light ISO)
[?]
1016 ISO
dxomark
Sony Cyber-shot DSC-RX1
Sony Cyber-shot DSC-RX1

Manufacturer specifications

Type High-end compact 
Announced 2012-09-12 
Indicative price (USD) 2800  
Sensor type CMOS 
Resolution 6024 x 4024  
Sensor photo detectors (Mpix) 24.24  
Sensor size (mm) 23.8 x 35.8 
Color filter array RGB 
Pixel pitch (µm) 5.94  
Bits per pixel 12.0 
Focal length multiplier 1.00 
Aspect Ratio 3:2 
ISO latitude  100 - 25600 
Shutter type  
Fastest - Slowest speed (s) 1/2000 - 30.0  
Frame rate (fps) 5.0  
Live view  Yes 
Stabilization  Yes 
Firmware  
Dust cleaning 
Mount typeCompact  
Weight (gr) 453  
Battery type Li-Ion, NP-BX1, 3.6 V, 1240 mAh 
Battery weight (gr) 25 
Tropicalization No 
Camera material Aluminum 
Mount material  
View finder type No 
View finder magnification  
View finder coverage  
Mirror lockup  
View finder diopter  
Monitor type LCD 
Monitor size 3 
Monitor pixel 1229000 
Articulated screen No 
Touch screen No 
Contrast screen  
Low-pass filter  
Focus mode Yes 
Autofocus modes Contrast Detect (sensor) Multi-area Center Selective single-point Tracking Single Continuous Face Detection  
Number of autofocus points 25 
Exposure bracketing 3 frames at 1/3 EV, 2/3 EV steps 
Exposure compensation  
Drive modes Single-frame advance Continuous advance Continuous adv Priority AE Speed Priority Continuous Self-timer Self Portrait Self-timer Continuous Self-timer  
Buffer size  
Recording medium SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo 
Image format RAW (ARW2.3 Format) RAW+JPEG JPEG  
White balance bracketing No 
Connectivity USB 2.0 (480 Mbit/sec) HDMI: Yes (Mini) Wireless: EyeFi Remote control: No 
Bluetooth No 
3G No 
Sound recording Yes 
External micro No 
Histogram  
GPS No 
Video Yes 
Maximum format image video 1920 x 1080 /60 fps 
Full HD Yes 
Live autofocus Yes 
Video file format AVCHD  
Video codec MPEG-4 
Video stabilisation No 

Certain fields may be left blank. They will be updated as soon as possible.
dxomark
Sony SLT Alpha 77
Sony SLT Alpha 77

Manufacturer specifications

Type Semi-Pro DSLR 
Announced 2011-08-24 
Indicative price (USD) 1399  
Sensor type CMOS 
Resolution 6048 x 4024  
Sensor photo detectors (Mpix) 24.34  
Sensor size (mm) 15.6 x 23.5 
Color filter array RGB 
Pixel pitch (µm) 3.89  
Bits per pixel 12.0 
Focal length multiplier 1.50 
Aspect Ratio 3:2, 16:9 
ISO latitude  50 - 16000 
Shutter type mechanical 
Fastest - Slowest speed (s) 1/8000 - 30.0  
Frame rate (fps) 12.0  
Live view  Yes 
Stabilization  Yes 
Firmware 1.02 
Dust cleaningYes 
Mount typeSony Alpha DT  
Weight (gr) 653  
Battery type NP-FM500H 
Battery weight (gr)  
Tropicalization Yes 
Camera material mixed plastic/metal 
Mount material mixed plastic/metal 
View finder type electronic 
View finder magnification 1.1 
View finder coverage 100 
Mirror lockup  
View finder diopter -4.0 to +4.0 
Monitor type LCD 
Monitor size 3 
Monitor pixel 921600 
Articulated screen Yes 
Touch screen No 
Contrast screen  
Low-pass filter  
Focus mode Yes 
Autofocus modes AF-S (Single-shot AF), AF-A (Automatic AF), AF-C (Continuous AF) 
Number of autofocus points 19 
Exposure bracketing 3 images with 0.3EV or 0.7EV steps 
Exposure compensation  
Drive modes Single-shot, Continuous shooting (Hi/Lo selectable), Self-timer (10/2 sec delay selectable), Bracket (Continuous/Single/WB/DRO), Remote commander (RMT-DSLR1 Sold Separately) 
Buffer size JPEG Standard (17 shots) JPEG Fine (17 shots) JPEG Extra Fine (13 shots) RAW (13 shots) RAW+JPEG (11 shots) 
Recording medium SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo 
Image format JPEG, RAW (ARW) 
White balance bracketing Yes: 3 frames Lo (10 mired) or Hi (20 mired) 
Connectivity USB2.0 (Hi-speed, miniB), HDMI (Type C mini) 
Bluetooth No 
3G No 
Sound recording Yes (video with sound) 
External micro Yes 
Histogram Yes 
GPS Yes 
Video Yes 
Maximum format image video 1920 x 1080 (60, 24 fps) 
Full HD Yes 
Live autofocus Yes 
Video file format AVCHD, MP4 
Video codec H.264 
Video stabilisation Yes 

Certain fields may be left blank. They will be updated as soon as possible.
dxomark
Sony NEX-7
Sony NEX-7

Manufacturer specifications

Type Hybrid 
Announced 2011-08-24 
Indicative price (USD) 1720  
Sensor type CMOS 
Resolution 6024 x 4024  
Sensor photo detectors (Mpix) 24.24  
Sensor size (mm) 15.6 x 23.5 
Color filter array RGB 
Pixel pitch (µm) 3.9  
Bits per pixel 12.0 
Focal length multiplier 1.50 
Aspect Ratio 3:2 
ISO latitude  100 - 16000 
Shutter type Mechanical 
Fastest - Slowest speed (s) 1/4000 - 30.0  
Frame rate (fps) 10.0  
Live view  Yes 
Stabilization  No 
Firmware  
Dust cleaningYes 
Mount typeSony E  
Weight (gr) 400  
Battery type Li-ion, NP-FW50 
Battery weight (gr)  
Tropicalization  
Camera material Metal top plate, Polycarbonate 
Mount material  
View finder type No 
View finder magnification  
View finder coverage  
Mirror lockup  
View finder diopter  
Monitor type LCD 
Monitor size 3 
Monitor pixel 921600 
Articulated screen Yes 
Touch screen No 
Contrast screen  
Low-pass filter  
Focus mode Yes 
Autofocus modes Single-shot AF(AF-S), Continuous AF(AF-C) selectable, Direct Manual Focus (DMF), Manual Focus 
Number of autofocus points 25 
Exposure bracketing Yes, +/-5.0 EV (1/3EV steps), 3 frames 
Exposure compensation +/-5.0 EV(1/3EV steps) 
Drive modes Single-shot, Continuous, Speed Priority, Self-timer, Continuous Self-timer, Bracketing 
Buffer size  
Recording medium  
Image format JPEG, RAW (ARW) 
White balance bracketing  
Connectivity USB 2.0 (High Speed), HDMI (mini type C) 
Bluetooth No 
3G No 
Sound recording Yes 
External micro Yes (smart accessory terminal) 
Histogram Yes 
GPS  
Video Yes 
Maximum format image video 1920 x 1080 (60 fps) 
Full HD No 
Live autofocus  
Video file format MP4 
Video codec MPEG-4 Visual 
Video stabilisation  

Certain fields may be left blank. They will be updated as soon as possible.
dxomark

Further readings for the Sony Cyber-shot DSC-RX1

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Camera Review  |  February 22
Sony Cyber-shot RX1 / Carl Zeiss Sonnar T* 2/35 review: Is this the ultimate moderate wide-angle lens?

The high-end Sony RX1 was one of the most eagerly awaited cameras in our labs and while we assessed the camera’s full-frame sensor early in January, we’ve decided to publish the results of the Zeiss-branded Sonnar 2/35 T* lens. Readers will already be aware that it’s fixed, and can’t be purchased separately, but we can test it just as we would any other, albeit on one camera body only. Is this “fast”, moderately wide-angle lens an outstanding performer worthy of the Carl Zeiss name? Read on to find out.
Camera Review  |  March 07
Fujifilm XF1 review: Stylish, creative controls and image quality amongst the best compacts

Launched in September 2012 the Fujifilm XF1 is a fixed lens compact aimed at advanced enthusiasts after a pocket-sized second camera for holidays and photo day trips. Featuring customizable function buttons, creative exposure modes and a manual barrel zoom lens with a 25-100mm equivalent focal length, there’s plenty of control for serious photographers to sink their teeth into. What’s more with a 2/3-inch 12-megapixel EXR-CMOS Sensor at its heart we’re optimistic the $499 Fujifilm XF1 will deliver on picture quality, too.
Camera Review  |  March 14
Leica M review: How does the new 24-megapixel CMOS sensor in Leica’s latest rangefinder perform?

Announced at Photokina 2012 the new Leica M digital rangefinder camera is available for pre-order and expected to ship soon. Although the 4th rangefinder in the M range to feature a full frame sensor, Leica have changed from the previously used Truesense 18Mp CCD to a CMOSIS 24Mp CMOS model. With new features added too expectations are running high, so lets get under the hood and see what it has to offer.
News  |  January 18
DxO Optics Pro v8.1.2: three new cameras supported and 10,000 DxO Optics Modules available

DxO Optics Pro v8.1.2 supports the Canon EOS 6D*, the Sony Cyber-Shot DSC-RX1*, and the Nikon 1 V2. Since the previous version, nearly 300 new camera/lens combinations have been added to the DxO Optics Modules library, thus surpassing the symbolic milestone of 10,000 available Optics Modules.
Camera Review  |  January 08
Is the RX1 the compact photojournalists are waiting for?

The new Sony RX1 offers discerning photographers the unique proposition of a full frame CMOS sensor and fixed 35mm f/2 prime lens in a compact shell. Perfect if you’re after great image quality without the bulk, weight and inconvenience of a large DSLR. But how will the RX1 perform in the DxOMark Sensor Scores?

Further readings for the Sony SLT Alpha 77

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Camera Review  |  April 29
Sony SLT Alpha 58 review

Sony seems to have a liking for doing things differently to other makers: hybrid cameras with bigger sensors, compact cameras with serious, professional attitude and single lens reflex cameras with fixed, translucent mirrors. Its new SLT Alpha 58 camera shows just how good a strategy this is, close to the quality of their Alpha 77 at half the price!
Camera Review  |  January 18
Nikon D5200 review: New sensor and new leader

After the introduction of the entry-level 24Mpix D3200 early last year it seemed inevitable that the rest of the firm’s APS-C (DX) range would be refreshed with the same sensor. While the gestation of the new 24Mpix D5200 has taken longer than most people could of reasonably predicted, the sensor is, in fact, a new design and the first from a different vendor for Nikon. We’ve recently put the new camera through our labs, read on to see how the new sensor performs.
Article  |  January 11
DxOMark Camera Sensor

A noise benchmark of 187 digital cameras by Peter van den Hamer

DxOMark Camera Sensor is a raw benchmark for camera bodies by DxO Labs. The benchmark is “raw” because it measures image quality using Raw output files. It is also raw as DxO’s data can be used to cook up camera reviews that cover more aspects than image quality.
Camera Review  |  March 27
Nikon D7100 review: Update to popular DSLR drops anti-alias filter for sharper images

Although the new Nikon D7100 looks fairly similar to its predecessor (the popular Nikon D7000), Nikon has made some significant changes under the hood that belie the surface similarity. The D7100 not only includes a higher-resolution CMOS sensor, but even more significantly, the company chose to use a sensor without an anti-alias filter for the first time on a non-full-frame DSLR. While this should enable better sharpness and resolution, it may also result in more moiré patterns in some images.
Camera Review  |  November 21, 2012
Pentax K5- II review: Showing the competition how it’s done

Pentax’s new version of their very accomplished K-5 model manages to retain the top position in the Semi-Pro DSLR category against some very tough competition. Should we be disappointed that it fails to score higher than the K-5? Not really, the K-5 II incorporates a number of technology updates without damaging what was, in the K-5, a very good formula.
Camera Review  |  October 30, 2012
SLT-A99: Sony is back in full-frame fight

Finally, a Sony full-frame DSLR: the last one was the Alpha 850. But though the new full-format 24Mpix camera shines with all of its new technology and features, it now belongs to the family of cameras with electronic viewfinders instead of with the Alpha 900 and its traditional DSLR viewfinder. With this new positioning, Sony stands out from among the leading lights in this market segment.
Camera Review  |  April 20, 2012
Nikon D3200

We are already acquainted with the D3200: apart from a few ergonomic details, it’s the same camera as the compact and lightweight D3100 SLR, though missing the secondary display on its bridge for even greater compactness. The D3200 weighs only 454 grams (without battery or card). Unlike the D3100, the D3200’s lens is off-center for better balance and the highly practical LiveView/video mode activation tab of the D3100 and the D5100 has disappeared in favor of a more ergonomically mundane video recording button. The D3200 comes with a second (dorsal) infrared sensor to complement its front sensor for more practical infrared remote control. The motor selection tab (single-frame, burst, timer, remote control) is gone as well, again replaced by a direct-access button.
Camera Review  |  March 19, 2012
Sony SLT-A57 Review

Sony unveiled its 2012 line and introduced the Sony SLT-A57, an updated version of its first digital SLR camera with a video viewfinder and EVF, the SLT-A55.
Camera Review  |  November 30, 2011
Sony NEX 7

Ever since we tested the Sony SLT A77, we’ve been very curious to see how the soon-to-be released Sony NEX 7 would compare. And today we have the answer: as we expected, the absence of a mirror gives the NEX7 some advantages. Below is a detailed look.
Camera Review  |  September 29, 2011
Nikon 1 Series cameras

It’s rare in the world of photography for a manufacturer to come up with an entirely new product line from scratch, and it’s equally rare for a famous manufacturer such as Nikon (the world market leader) to offer a new lens mount (Nikon CX). This makes the launch of the Nikon 1 line (Nikon J1 and Nikon V1) a major event in photography this fall.
Camera Review  |  September 23, 2011
Sony A77, measurements and review of the world’s first 24 MPix APS-C camera

When the Sony A77 was announced a couple of weeks ago as a replacement for the Sony Alpha 700, Sony’s semi-professional APS-C camera, we were all very impressed by its specifications. So we were really excited to see how it would perform in our tests.

Here are our results.

Further readings for the Sony NEX-7

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Camera Review  |  March 29
Nikon Coolpix A Sensor Review: Nikon’s first compact packing an APS-C sensor

Launched in March 2013 the $1097 Coolpix A is Nikon’s first compact camera with an APC-S sensor and features the same 16.2-megapixel DX sensor from Nikon’s D7000 DSLR but with its optical low-pass filter removed. Utilizing a fixed NIKKOR 18.5mm f/2.8 prime lens (equivalent to 28mm in 35mm terms) the Nikon Coolpix A has the right ingredients for great image quality so let’s see how it performs.       
Camera Review  |  January 18
Nikon D5200 review: New sensor and new leader

After the introduction of the entry-level 24Mpix D3200 early last year it seemed inevitable that the rest of the firm’s APS-C (DX) range would be refreshed with the same sensor. While the gestation of the new 24Mpix D5200 has taken longer than most people could of reasonably predicted, the sensor is, in fact, a new design and the first from a different vendor for Nikon. We’ve recently put the new camera through our labs, read on to see how the new sensor performs.
Camera Review  |  April 02
Sony NEX-3N: Stylish replacement to NEX-F3

Sony’s annual update to the NEX range has so far failed to deliver the expected high-end replacement to the NEX-7. However, Sony has added the promising NEX-6 and refrevshed the popular, entry-level NEX-F3 with this new sleek looking model. Read on to see how well it performed in our labs.
Article  |  January 11
DxOMark Camera Sensor

A noise benchmark of 187 digital cameras by Peter van den Hamer

DxOMark Camera Sensor is a raw benchmark for camera bodies by DxO Labs. The benchmark is “raw” because it measures image quality using Raw output files. It is also raw as DxO’s data can be used to cook up camera reviews that cover more aspects than image quality.
Camera Review  |  November 28, 2012
Sony NEX-6 review – The logical CSC choice?

Announced in September 2012, the Sony NEX-6 creates a new range in the Sony line-up. It sits between the flagship Sony NEX-7 and the mid-range Sony NEX-5R offering features and performance benefits to beginner and advanced photographers alike. Providing a simplified user-interface than the NEX-7, the NEX-6 is none-the-less fully featured with a high-resolution OLED viewfinder, Full HD video recording and a tilt-adjustable screen for ease of use.
Camera Review  |  January 04
Canon EOS M review: Canon finally joins the mirrorless party

Canon was the last major maker to embrace the hybrid or ‘mirrorless’ camera market. As a somewhat sober debut, designed for those who are new to photography, the EOS M adopts an 18-megapixel APS-C format in a compact body but boasts a number of advanced features including a 31-point hybrid AF system for stills and video and a touch sensitive 3-inch LCD. While it’s clear this camera doesn’t compete directly with the firm’s DSLRs, how does it stack up against the competition that don’t have the same volume of DSLR sales to protect?
Camera Review  |  November 28, 2012
Sony NEX-6 – The logical CSC choice?

Announced in September 2012, the Sony NEX-6 creates a new range in the Sony line-up. It sits between the flagship Sony NEX-7 and the mid-range Sony NEX-5R offering features and performance benefits to beginner and advanced photographers alike. Providing a simplified user-interface than the NEX-7, the NEX-6 is none-the-less fully featured with a high-resolution OLED viewfinder, Full HD video recording and a tilt-adjustable screen for ease of use.
Camera Review  |  February 14
Panasonic Lumix DMC-GH3 review

Hybrid is a word used both positively and negatively, quite appropriate for the photographic industry. The Panasonic Lumix DMC-GH3 wears this badge: "Hybrid", a mix of system and compact. It has a range of lenses spanning 7mm to 300mm (equivalent to 14mm up to 600mm in full frame 35mm) and a body that is not much bigger than a compact camera. Should it wear it with pride? Yes, it should…
Camera Review  |  November 15, 2012
Olympus Pen E-PL5: Qualities of the OM-D E-M5

With the Pen E-PL5, Olympus updates its range of micro 4:3 compact hybrids with redesigned ergonomics, upgraded electronics, and especially with the integration of the same 16Mpix LiveMos sensor found in the OM-D E-M5. Will it show the same advances in image quality as the flagship camera of its line? Our tests provide the answer.
Camera Review  |  October 30, 2012
Sony NEX-6: The compact hybrid synthesis

The Sony NEX-6 is a well-thought-out compact hybrid that, like the NEX-7, takes into account the needs of the expert amateur, but also considers the needs of beginning photographers as well.
Camera Review  |  October 30, 2012
SLT-A99: Sony is back in full-frame fight

Finally, a Sony full-frame DSLR: the last one was the Alpha 850. But though the new full-format 24Mpix camera shines with all of its new technology and features, it now belongs to the family of cameras with electronic viewfinders instead of with the Alpha 900 and its traditional DSLR viewfinder. With this new positioning, Sony stands out from among the leading lights in this market segment.
Camera Review  |  October 04, 2012
Sony NEX-F3

The NEX-F3 is one of three Sony mirrorless camera models released in 2012, and it’s the company’s eighth since the launch of the NEX line in 2010. The NEX-F3 borrows heavily from higher-end models, but also taps much of the technology found in its predecessor. So is there any big evolution in sensor quality for the NEX-F3? Or were most of the changes to the camera cosmetic? DxOMark has some answers.
Camera Review  |  September 25, 2012
Olympus OM-D E-M5: The best of the micro 4:3 cameras

Olympus caused a sensation when it revived the legendary OM line that had enjoyed its heyday in the silver halide era. The Olympus OM-D E-M5 successfully revisits the OM design in terms of its ergonomics and workmanship. Olympus has quite precisely taken advantage of this new family in its line of compact hybrid micro 4:3 cameras to introduce a new 16 Mpix Live MOS sensor. What is this new sensor all about? Does it represent an improvement over current Pen sensors? Does it help the micro 4:3 category to catch up with the APS-C hybrids (with the Sony NEX in the lead)? Our sensor review provides the answers.
Camera Review  |  April 20, 2012
Nikon D3200

We are already acquainted with the D3200: apart from a few ergonomic details, it’s the same camera as the compact and lightweight D3100 SLR, though missing the secondary display on its bridge for even greater compactness. The D3200 weighs only 454 grams (without battery or card). Unlike the D3100, the D3200’s lens is off-center for better balance and the highly practical LiveView/video mode activation tab of the D3100 and the D5100 has disappeared in favor of a more ergonomically mundane video recording button. The D3200 comes with a second (dorsal) infrared sensor to complement its front sensor for more practical infrared remote control. The motor selection tab (single-frame, burst, timer, remote control) is gone as well, again replaced by a direct-access button.
Preview  |  February 02, 2012
Pentax K-01

Following the hybrid camera trend and after the limited success of the Pentax Q, Pentax is announcing today a new compact camera with interchangeable lenses, the Pentax K-01.
Camera Review  |  November 30, 2011
Sony NEX 7

Ever since we tested the Sony SLT A77, we’ve been very curious to see how the soon-to-be released Sony NEX 7 would compare. And today we have the answer: as we expected, the absence of a mirror gives the NEX7 some advantages. Below is a detailed look.
Camera Review  |  October 06, 2011
Sony NEX 5N

Just as the NEX C3 succeeded the NEX 3, it's now time for the NEX 5 to be replaced by the NEX 5N. But although some successions are only slight redesigns, the 5N is a completely new camera.
Camera Review  |  September 29, 2011
Nikon 1 Series cameras

It’s rare in the world of photography for a manufacturer to come up with an entirely new product line from scratch, and it’s equally rare for a famous manufacturer such as Nikon (the world market leader) to offer a new lens mount (Nikon CX). This makes the launch of the Nikon 1 line (Nikon J1 and Nikon V1) a major event in photography this fall.
Camera Review  |  September 23, 2011
Sony A77, measurements and review of the world’s first 24 MPix APS-C camera

When the Sony A77 was announced a couple of weeks ago as a replacement for the Sony Alpha 700, Sony’s semi-professional APS-C camera, we were all very impressed by its specifications. So we were really excited to see how it would perform in our tests.

Here are our results.
News  |  September 21, 2011
Nikon J1 and Nikon V1 announcement

The long awaited and rumored mirrorless Nikon camera was finally announced today. And it’s not just one but a pair of new mirrorless compact “1 System” cameras that are coming to compete with the Sony NEX 7, the Pentax Q, the Olymps PEN EP3 or even the Fujifilm FinePix X10. These 2 first models in this new Nikon 1 series are the Nikon J1 and Nikon V1.