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| Announced | 2012-09-13 |
| Indicative price (USD) | 1699 |
| Aperture | f/2.8 |
| Focal range (mm) | 70 - 200 |
| Filter diameter (mm) | 77 |
| Max diameter (mm) | 85.8 |
| Mount type | Canon EF |
| Stabilization | Yes |
| AF Motor | USD |
| Zoom type | Ring |
| Rotating front element | |
| Tripod mount | Yes |
| Color | Black |
| Full-Time manual focus | Yes |
| Number of lenses | 23 |
| Number of groups | 17 |
| Diaphragm blades | 9 |
| Circular aperture | Yes |
| Length (mm) | 188.3 |
| Weight (gr) | 1470 |
| Announced | 2002-12-01 |
| Indicative price (USD) | 1850 |
| Aperture | f/2.8 |
| Focal range (mm) | 70 - 200 |
| Filter diameter (mm) | 77 |
| Max diameter (mm) | 87 |
| Mount type | Nikon F FX |
| Stabilization | Yes |
| AF Motor | SWM |
| Zoom type | Ring |
| Rotating front element | No |
| Tripod mount | Yes |
| Color | Black or White |
| Full-Time manual focus | Yes |
| Number of lenses | 21 |
| Number of groups | 15 |
| Diaphragm blades | 9 |
| Circular aperture | Yes |
| Length (mm) | 215 |
| Weight (gr) | 1470 |
| Announced | 2006-05-01 |
| Indicative price (USD) | 1799 |
| Aperture | f/2.8 |
| Focal range (mm) | 70 - 200 |
| Filter diameter (mm) | 77 |
| Max diameter (mm) | 87 |
| Mount type | Sony Alpha |
| Stabilization | No |
| AF Motor | SSM |
| Zoom type | Ring |
| Rotating front element | No |
| Tripod mount | Yes |
| Color | White |
| Full-Time manual focus | No |
| Number of lenses | 19 |
| Number of groups | 16 |
| Diaphragm blades | 9 |
| Circular aperture | Yes |
| Length (mm) | 196.5 |
| Weight (gr) | 1340 |





Canon EOS 1Ds Mark III
Nikon D3X
View test results on a camera | |
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
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The zoom range 70-200, or thereabout, is one of the real classic lenses, an absolute “must” for sports and photojournalism. The faster the maximum aperture the better, but most important of all it must be a good performer. Tamron’s SP 70-200mm f2.8 Di VC USD has the right specifications and a price tag that is very attractive, especially when you see how good it is. |
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
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Following on from our series of selecting the best lenses for the Nikon D800 with its potential for massively detailed images from the 36Mpix sensor, we’ve now turned our attention to that camera’s younger sibling, the 24Mpix D600. |
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Nikon’s flagship medium range telephoto lens the Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II offers a versatile focal range, great features and top-class optical quality. Costing $2,400 it’s an expensive option however, and notably with cheaper alternatives like the Sigma 70-200mm f2.8 EX DGH APO HSM II and Nikon’s latest f/4 version, the AF-S Nikkor 70-200mm f/4G ED VR now on the market, is this top-of-the-range lens worth the extra money? |
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The zoom range 70-200, or thereabout, is one of the real classic lenses, an absolute “must” for sports and photojournalism. The faster the maximum aperture the better, but most important of all it must be a good performer. Tamron’s SP 70-200mm f2.8 Di VC USD has the right specifications and a price tag that is very attractive, especially when you see how good it is. |
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Launched in October 2012, this new lens from Nikon offers a lower cost entry point to the very popular 70-200mm focal length that finds a wide range of uses in everything from sports and wildlife to portraits and social documentary photography. Taking on many of Nikons newest technologies, does the reality match up to the promise? |
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Today we are publishing the test results of the Sigma 70-200mm f2.8 EX DG APO Macro HSM II (mounted on Canon and Nikon bodies), as well as comparing its performance relative to equivalent lenses on the market. |
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
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This G-series lens, equivalent to the L-series by Canon or DA-series by Pentax, could be placed along the lines of a Konica Minolta 35 mm f/1.4 G. This 35mm lens is fast, with its 1.4 aperture. It has a perfect wide angle for a full frame camera such as a Sony A900 or a Sony A850, this lens is a good 50mm equivalent mounted on a APS-C camera (like an A350, or the latest A580 and SLT A55). A brief review is available here... |