Select up to three lenses for comparison, then select a camera for each lens.
Update comparaison viewSelect more lensesYou can add more lenses to your selection by clicking here
|
Scores and measurements are available only for tested lenses. For preview lenses, you can compare their specs.

DxOMark Score | |
| Best at f=35mm & f/2[?] | |

DxOMark Score | |
| Best at f=24mm & f/2.8[?] | |

DxOMark Score | |
| Best at f=28mm & f/2.8[?] | |
| Announced | 2012-11-06 |
| Indicative price (USD) | 850 |
| Aperture | f/2 |
| Focal range (mm) | 35 |
| Filter diameter (mm) | 67 |
| Max diameter (mm) | 77.9 |
| Mount type | Canon EF |
| Stabilization | IS |
| AF Motor | USM |
| Zoom type | |
| Rotating front element | No |
| Tripod mount | No |
| Color | Black |
| Full-Time manual focus | Yes |
| Number of lenses | 10 |
| Number of groups | 8 |
| Diaphragm blades | 8 |
| Circular aperture | Yes |
| Length (mm) | 62.6 |
| Weight (gr) | 335 |
| Announced | 2012-02-07 |
| Indicative price (USD) | 800 |
| Aperture | f/2.8 |
| Focal range (mm) | 24 |
| Filter diameter (mm) | 58 |
| Max diameter (mm) | 68.4 |
| Mount type | Canon EF |
| Stabilization | IS |
| AF Motor | USM |
| Zoom type | |
| Rotating front element | |
| Tripod mount | No |
| Color | Black |
| Full-Time manual focus | |
| Number of lenses | 11 |
| Number of groups | 9 |
| Diaphragm blades | |
| Circular aperture | |
| Length (mm) | 55.7 |
| Weight (gr) | 280 |
| Announced | 2012-02-07 |
| Indicative price (USD) | 699 |
| Aperture | f/2.8 |
| Focal range (mm) | 28 |
| Filter diameter (mm) | 58 |
| Max diameter (mm) | 68.4 |
| Mount type | Canon EF |
| Stabilization | IS |
| AF Motor | USM |
| Zoom type | / |
| Rotating front element | No |
| Tripod mount | No |
| Color | Black |
| Full-Time manual focus | Yes |
| Number of lenses | 9 |
| Number of groups | 7 |
| Diaphragm blades | 7 |
| Circular aperture | No |
| Length (mm) | 51.5 |
| Weight (gr) | 260 |





Canon EOS 5D Mark II
View test results on a camera | |
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
|
After comparing the imaging chain of the full-frame Canon EOS 5D Mk III across a raft of lenses, we’ve now turned our attention to the APS-C format EOS 700D / REBEL T5i / Kiss X7i. The 18.1-Mpix ‘Hybrid CMOS’ sensor in this camera is similar to those of the same size and pixel count used in the firm’s other models, including the semi-pro EOS 7D, so it may still be of interest even if you don’t own a EOS 700D / REBEL T5i / Kiss X7i. |
|
The second in our series of selecting the best-quality lenses for your camera concentrates on one of the most highly-anticipated cameras of our time, the successor to the hugely popular EOS 5D Mark II. But by the time it was announced, in early March, it’s probably fair to say Nikon had taken fair amount of interest away by announcing the 36M-Pix D800 and D800E models the month before. Be that as it may, there’s no denying the 22.3 M-Pix EOS 5D Mark III is a remarkably capable camera, and a formidable rival to the Nikon. |
|
After years of unadventurous, unexciting “slow” speed zooms “fast”, high-quality primes are experiencing a comeback thanks to the popularity of full-frame DSLRs and the merging of video capture. The moderately wide 35mm focal length has seen numerous new versions from most lens makers over the last two years or so, including this ultra-high speed offering from Sigma. Read on to see how well this lens fares on the highest resolution DSLR currently available. |
|
This is the first in a series of reviews rounding up the Lens Metrics Scores on 35mm primes for Canon, Nikon and Sony. We start by looking at options for Canon EF, and with several own brand and 3rd-party options on the market, there are plenty of choices available. Ranging in price from $320 to $1843, however, it’s tough to decide which one is best for you. So let’s take a closer look at image quality, features and value for money to help you decide. |
|
The high-end Sony RX1 was one of the most eagerly awaited cameras in our labs and while we assessed the camera’s full-frame sensor early in January, we’ve decided to publish the results of the Zeiss-branded Sonnar 2/35 T* lens. Readers will already be aware that it’s fixed, and can’t be purchased separately, but we can test it just as we would any other, albeit on one camera body only. Is this “fast”, moderately wide-angle lens an outstanding performer worthy of the Carl Zeiss name? Read on to find out. |
|
Canon were busy in 2012 releasing three wide-angle primes, the EF 24mm f/2.8 IS USM, EF 28mm f/2.8 IS USM and EF 35mm f/2 IS USM, on to the market. The latest launched in November 2012 was the Canon EF 35mm f/2 IS USM as an updated version of the original that dates back to 1990. Featuring Image Stabilization, Canon’s USM Ultrasonic autofocus motor, a ‘fast’ f/2 maximum aperture and wide-angle focal length, it looks a great option for Canon shooters into landscape or architectural photography. |
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
|
After almost 25 years, Canon has updated one of its oldest prime lenses with the new Canon EF 24mm f/2.8 IS USM. Adding optical image stabilization and a ring-type ultrasonic autofocus motor, the new fixed, wide-angle lens is an update to the Canon 24mm f/2.8 wide-angle prime originally released in November of 1988. |
|
Adding to its range of image stabilised lenses Canon has brought out this new EF 28mm f2.8. 28mm is a useful focal length and while f2.8 is not very wide, the IS makes this an attractive proposition. Taking into account that this is optically pretty good too and the result is quite promising. Photographers looking for a good all round wide angle for their kit bag could do much worse. |
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
|
The second in our series of selecting the best-quality lenses for your camera concentrates on one of the most highly-anticipated cameras of our time, the successor to the hugely popular EOS 5D Mark II. But by the time it was announced, in early March, it’s probably fair to say Nikon had taken fair amount of interest away by announcing the 36M-Pix D800 and D800E models the month before. Be that as it may, there’s no denying the 22.3 M-Pix EOS 5D Mark III is a remarkably capable camera, and a formidable rival to the Nikon. |
|
Adding to its range of image stabilised lenses Canon has brought out this new EF 28mm f2.8. 28mm is a useful focal length and while f2.8 is not very wide, the IS makes this an attractive proposition. Taking into account that this is optically pretty good too and the result is quite promising. Photographers looking for a good all round wide angle for their kit bag could do much worse. |