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Scores and measurements are available only for tested lenses. For preview lenses, you can compare their specs.

DxOMark Score | |
| Best at f=24mm & f/2[?] | |

DxOMark Score | |
| Best at f=20mm & f/4[?] | |

DxOMark Score | |
| Best at f=14mm & f/4[?] | |
| Announced | 2010-02-01 |
| Indicative price (USD) | 2200 |
| Aperture | f/1.4 |
| Focal range (mm) | 24 |
| Filter diameter (mm) | 77 |
| Max diameter (mm) | 83 |
| Mount type | Nikon F FX |
| Stabilization | No |
| AF Motor | SWM |
| Zoom type | / |
| Rotating front element | No |
| Tripod mount | No |
| Color | Black |
| Full-Time manual focus | Yes |
| Number of lenses | 12 |
| Number of groups | 10 |
| Diaphragm blades | 9 |
| Circular aperture | Yes |
| Length (mm) | 88.5 |
| Weight (gr) | 620 |
| Announced | 1994-03-01 |
| Indicative price (USD) | 570 |
| Aperture | f/2.8 |
| Focal range (mm) | 20 |
| Filter diameter (mm) | 62 |
| Max diameter (mm) | 69 |
| Mount type | Nikon F FX |
| Stabilization | No |
| AF Motor | No |
| Zoom type | |
| Rotating front element | No |
| Tripod mount | No |
| Color | Black |
| Full-Time manual focus | No |
| Number of lenses | 12 |
| Number of groups | 9 |
| Diaphragm blades | 7 |
| Circular aperture | No |
| Length (mm) | 42.5 |
| Weight (gr) | 270 |
| Announced | 2009-08-01 |
| Indicative price (USD) | 409 |
| Aperture | f/2.8 |
| Focal range (mm) | 14 |
| Filter diameter (mm) | |
| Max diameter (mm) | 87 |
| Mount type | Nikon F FX |
| Stabilization | No |
| AF Motor | No |
| Zoom type | Ring |
| Rotating front element | NA |
| Tripod mount | No |
| Color | Black |
| Full-Time manual focus | NA |
| Number of lenses | 14 |
| Number of groups | 10 |
| Diaphragm blades | 6 |
| Circular aperture | Yes |
| Length (mm) | 93.6 |
| Weight (gr) | 530 |





Nikon D4
View test results on a camera | |
View test results on a camera | |
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
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For shooting high quality landscape, architectural or interior photos, a “fast” wide-angle prime is a must. They offer significantly improved optical performance over many zooms that, while versatile, often suffer distortion and edge softness at wide focal lengths and maximum apertures. Let’s take a closer look at the Carl Zeiss 25mm f/2 wide-angle prime for Nikon and Canon lens mounts to see what it has to offer. |
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Launched in April 2012, this wide-angle prime lens from Nikon, with a fast maximum aperture of f/1.8, suggests it may be a great choice for landscape, architectural and reportage photography. A light weight of 330g also ensures it’s easy to travel with and won’t weigh heavily in your bag. |
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The Canon EF 24mm f/1.4 L II USM which belongs to the high-end L series of Canon is designed for high performance. Its 13 elements in 10 groups include two aspherical elements for limited the distortion and two UD glass elements to minimize the chromatic aberration. It also features “Sub Wavelength structure Coating” for reduced flare and ghosting and a floating focus mechanism to maintain the same image quality across the whole focus range. But, how does it really perform? |
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
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Here is a new series featuring the results of Pentax prime lenses mounted on the compatible camera with the best resolution thus far, the Pentax K5. (But as usual, you can consult DxOMark to see the results for these lenses when mounted on other compatible camera bodies, such as the Pentax K7 or Km.) |
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
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Following on from our series of selecting the best lenses for the Nikon D800 with its potential for massively detailed images from the 36Mpix sensor, we’ve now turned our attention to that camera’s younger sibling, the 24Mpix D600. |
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There is a very particular look available to photographers who have a ‘Super-Wide-angle’ lens in their gadget bag, a ‘look’ that puts a whole new perspective on things. To get it you really need something quite extreme. Nikon do it, Canon do it, indeed most of the camera makers do it, but so do some of the independent lens makers. Of these who does it best? And do you get what you pay for? |