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Scores and measurements are available only for tested lenses. For preview lenses, you can compare their specs.

DxOMark Score | |
| Best at f=40mm & f/2.8[?] | |

DxOMark Score | |
| Best at f=50mm & f/2.8[?] | |

DxOMark Score | |
| Best at f=50mm & f/1.8[?] | |
| Announced | 2012-06-08 |
| Indicative price (USD) | 249 |
| Aperture | f/2.8 |
| Focal range (mm) | 40 |
| Filter diameter (mm) | 52 |
| Max diameter (mm) | 68 |
| Mount type | Canon EF |
| Stabilization | No |
| AF Motor | Stepper motor (STM) |
| Zoom type | / |
| Rotating front element | |
| Tripod mount | No |
| Color | Black |
| Full-Time manual focus | Yes |
| Number of lenses | 6 |
| Number of groups | 4 |
| Diaphragm blades | 7 |
| Circular aperture | No |
| Length (mm) | 27 |
| Weight (gr) | 130 |
| Announced | 1993-07-01 |
| Indicative price (USD) | 385 |
| Aperture | f/1.4 |
| Focal range (mm) | 50 |
| Filter diameter (mm) | 58 |
| Max diameter (mm) | 73.8 |
| Mount type | Canon EF |
| Stabilization | No |
| AF Motor | USM |
| Zoom type | / |
| Rotating front element | No |
| Tripod mount | No |
| Color | Black |
| Full-Time manual focus | Yes |
| Number of lenses | 7 |
| Number of groups | 6 |
| Diaphragm blades | 8 |
| Circular aperture | No |
| Length (mm) | 50.5 |
| Weight (gr) | 290 |
| Announced | 1990-07-01 |
| Indicative price (USD) | 99 |
| Aperture | f/1.8 |
| Focal range (mm) | 50 |
| Filter diameter (mm) | 52 |
| Max diameter (mm) | 68.2 |
| Mount type | Canon EF |
| Stabilization | No |
| AF Motor | DC Micro Motor |
| Zoom type | No |
| Rotating front element | No |
| Tripod mount | No |
| Color | Black |
| Full-Time manual focus | No |
| Number of lenses | 6 |
| Number of groups | 5 |
| Diaphragm blades | 5 |
| Circular aperture | No |
| Length (mm) | 41 |
| Weight (gr) | 130 |





Canon EOS 5D Mark II
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To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
|
Announced this past June alongside the Canon EOS Rebel T4i DSLR camera, the new Canon EF 40mm f/2.8 STM is an ultra-slim, entry-level pancake lens that uses Canon’s Stepping Motor Technology (STM) to enable extra-quiet continuous autofocus, making it well-suited for video shooting. |
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
|
Announced this past June alongside the Canon EOS Rebel T4i DSLR camera, the new Canon EF 40mm f/2.8 STM is an ultra-slim, entry-level pancake lens that uses Canon’s Stepping Motor Technology (STM) to enable extra-quiet continuous autofocus, making it well-suited for video shooting. |
|
(This review has been prepared with Focus Numérique, a French photo news website) Owning a 50mm lens is probably a must for any photographer. These primes are ideal for many good reasons. Mounted on a full-frame body, they provide a neutral field of view. Not a wide-angle, and not yet a telephoto lens, it is said to be close to human vision. On wide sensors, a 50mm lens can be the perfect companion for many different activities, including reportage, portraits, or even landscapes. Mounted on an APS-C sensor, they become a short 75mm telephoto that is highly suitable for portraits. |
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
|
Announced this past June alongside the Canon EOS Rebel T4i DSLR camera, the new Canon EF 40mm f/2.8 STM is an ultra-slim, entry-level pancake lens that uses Canon’s Stepping Motor Technology (STM) to enable extra-quiet continuous autofocus, making it well-suited for video shooting. |
|
(This review has been prepared with Focus Numérique, a French photo news website) Owning a 50mm lens is probably a must for any photographer. These primes are ideal for many good reasons. Mounted on a full-frame body, they provide a neutral field of view. Not a wide-angle, and not yet a telephoto lens, it is said to be close to human vision. On wide sensors, a 50mm lens can be the perfect companion for many different activities, including reportage, portraits, or even landscapes. Mounted on an APS-C sensor, they become a short 75mm telephoto that is highly suitable for portraits. |