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Toolbox
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Added by fishnose |
May 21
D4 lens tests
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Added by derway |
May 20
Please test EXR modes on all fuji cameras that support it
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Added by eireann |
May 19
AF-S NIKKOR 70-200mm f/2.8G ED VR II will be tested when
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Added by eireann |
May 19
Nikon AF-S Nikkor 24-70mm f/2.8G ED bad Chr aberration results
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Added by koleh77 |
May 18
Re: A37
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Added by koleh77 |
May 18
Re: Sony A57
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Added by Bobo_SAN |
May 18
Re: A37
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We have just tested both the Canon and Nikon versions of the Sigma 105mm F2.8 EX DG OS HSM lens, announced on February 8, 2011.
First we’ll analyze the lens results when mounted on the Canon EOS 1Ds Mark III and on the Nikon D3x. Then we’ll measure the progress in terms of image quality by comparing the 2011 results with the earlier non-stabilized version, the Sigma 105mm F2.8 EX DG Macro, announced in June 2004.
Finally, we’ll see how this lens stacks up against other macro lenses already tested, giving us an opportunity to revisit the overview of 100mm macros for full-frame cameras that we recently published on this site.
With a DxOMark Score of 23 for the Nikon mount and 24 for the Canon, the two 105mm macros have, for all purposes, identical image quality. (Note : With a T-stop of 3.2 on the Nikon and 3 on the Canon, there is a difference of about 0.19EV at full aperture. The Canon version gains almost 1/3EV over the Nikon version, making the Canon slightly brighter at f/2.8.)
| Strong points | Weak points |
| Excellent sharpness | Strong vignetting, with a loss of 1.5EV in the last 1/3 of the field at f/2.8, and a loss of 0.7EV in the last 1/3 of the field at f/4. |
| No distortion | |
| Reasonable weight | High price |
| Well-corrected chromatic aberrations |
Globally, these lenses provide the same image quality - and in fact, the non-stabilized version controls vignetting better. So at first glance, it may seem that a jump in price of $300 is unjustified, but realistically, stabilization is a genuinely useful feature for a macro lens of this kind. Our advice, then, is to go for the stabilized version (if your budget permits).
Looking at the details, we see:
Verdict: After all this time, we frankly hoped for greater advances in image quality. This said, we acknowledge that there’s been at least a little improvement in sharpness and transmittion.
One other good point is that stabilization hasn’t added any more weight to the lens.
Note that the prices for professional-quality Sigma lenses have risen significantly. By raising its prices, however, Sigma has lost some of its advantage over Nikon and Canon in terms of quality-to-price ratio.
Below is a summary of our updated scorecard (available at 100mm macros for full-frame cameras):
With image quality results practically equal to Canon’s series L, the stabilized Sigma is certainly good enough to be considered by fully serious player in this lens catagory.