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Welcome to our camera sensor comparison tool.

With this tool you will be able to compare the image quality characteristics of different RAW-capable camera models.
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Scores and measurements are available only for tested cameras. For preview cameras, you can compare their specs.

Panasonic Lumix DMC G5
Panasonic Lumix DMC G5

DxOMark Sensor Scores

Overall Score
[?]
61
Portrait
(Color Depth)
[?]
21.4 bits
Landscape
(Dynamic Range)
[?]
11.6 Evs
Sports
(Low-Light ISO)
[?]
618 ISO
dxomark
Sony NEX-7
Sony NEX-7

DxOMark Sensor Scores

Overall Score
[?]
81
Portrait
(Color Depth)
[?]
24.1 bits
Landscape
(Dynamic Range)
[?]
13.4 Evs
Sports
(Low-Light ISO)
[?]
1016 ISO
dxomark
Sony NEX-5N
Sony NEX-5N

DxOMark Sensor Scores

Overall Score
[?]
77
Portrait
(Color Depth)
[?]
23.6 bits
Landscape
(Dynamic Range)
[?]
12.7 Evs
Sports
(Low-Light ISO)
[?]
1079 ISO
dxomark
Panasonic Lumix DMC G5
Panasonic Lumix DMC G5

Manufacturer specifications

Type Hybrid 
Announced 2012-07-18 
Indicative price (USD) 650  
Sensor type CMOS 
Resolution 4624 x 3472  
Sensor photo detectors (Mpix) 16.05  
Sensor size (mm) 13.0 x 17.3 
Color filter array RGB 
Pixel pitch (µm) 3.74  
Bits per pixel 12.0 
Focal length multiplier 2.00 
Aspect Ratio 4:3 
ISO latitude  160 - 12800 
Shutter type Mechanical 
Fastest - Slowest speed (s) 1/4000 - 60.0  
Frame rate (fps) 20, 6, 3.7 or 2  
Live view  Yes 
Stabilization  No 
Firmware  
Dust cleaningYes 
Mount typeMicro 4/3  
Weight (gr)  
Battery type Li-ion, Battery Pack, 7.2V 1.200mAh 
Battery weight (gr)  
Tropicalization No 
Camera material Plastic 
Mount material Metal 
View finder type Electronic 
View finder magnification 0.7 
View finder coverage 100 
Mirror lockup  
View finder diopter -4.0 to +4.0 
Monitor type LCD 
Monitor size 3 
Monitor pixel 920000 
Articulated screen Yes 
Touch screen Yes 
Contrast screen  
Low-pass filter  
Focus mode Yes 
Autofocus modes AFS (Single), AFF (Flexible), AFC (Continuous), MF 
Number of autofocus points 23 
Exposure bracketing  
Exposure compensation  
Drive modes Single, Continuous (SH: 20 frames/sec (4M), H: 6.0 frames/sec (with AFS), M: 3.7 frames/sec (with Live View), L: 2.0 frames/sec (with Live View)), Self-time (10 sec, 3 images / 2 sec / 10 sec) 
Buffer size 9 (RAW) 
Recording medium SD / SDHC / SDXC 
Image format JPEG, RAW (RW2), MPO 
White balance bracketing 3 exposures in blue/amber axis or in magenta/green axis 
Connectivity USB 2.0 High Speed, mini HDMI TypeC, AV (Monaural Type, NTSC / PAL, NTSC only for North America) 
Bluetooth No 
3G No 
Sound recording Yes 
External micro No 
Histogram Yes 
GPS No 
Video Yes 
Maximum format image video 1920 x 1080 / 60 
Full HD Yes 
Live autofocus Yes 
Video file format AVCHD and MP4 
Video codec  
Video stabilisation  

Certain fields may be left blank. They will be updated as soon as possible.
dxomark
Sony NEX-7
Sony NEX-7

Manufacturer specifications

Type Hybrid 
Announced 2011-08-24 
Indicative price (USD) 1720  
Sensor type CMOS 
Resolution 6024 x 4024  
Sensor photo detectors (Mpix) 24.24  
Sensor size (mm) 15.6 x 23.5 
Color filter array RGB 
Pixel pitch (µm) 3.9  
Bits per pixel 12.0 
Focal length multiplier 1.50 
Aspect Ratio 3:2 
ISO latitude  100 - 16000 
Shutter type Mechanical 
Fastest - Slowest speed (s) 1/4000 - 30.0  
Frame rate (fps) 10.0  
Live view  Yes 
Stabilization  No 
Firmware  
Dust cleaningYes 
Mount typeSony E  
Weight (gr) 400  
Battery type Li-ion, NP-FW50 
Battery weight (gr)  
Tropicalization  
Camera material Metal top plate, Polycarbonate 
Mount material  
View finder type No 
View finder magnification  
View finder coverage  
Mirror lockup  
View finder diopter  
Monitor type LCD 
Monitor size 3 
Monitor pixel 921600 
Articulated screen Yes 
Touch screen No 
Contrast screen  
Low-pass filter  
Focus mode Yes 
Autofocus modes Single-shot AF(AF-S), Continuous AF(AF-C) selectable, Direct Manual Focus (DMF), Manual Focus 
Number of autofocus points 25 
Exposure bracketing Yes, +/-5.0 EV (1/3EV steps), 3 frames 
Exposure compensation +/-5.0 EV(1/3EV steps) 
Drive modes Single-shot, Continuous, Speed Priority, Self-timer, Continuous Self-timer, Bracketing 
Buffer size  
Recording medium  
Image format JPEG, RAW (ARW) 
White balance bracketing  
Connectivity USB 2.0 (High Speed), HDMI (mini type C) 
Bluetooth No 
3G No 
Sound recording Yes 
External micro Yes (smart accessory terminal) 
Histogram Yes 
GPS  
Video Yes 
Maximum format image video 1920 x 1080 (60 fps) 
Full HD No 
Live autofocus  
Video file format MP4 
Video codec MPEG-4 Visual 
Video stabilisation  

Certain fields may be left blank. They will be updated as soon as possible.
dxomark
Sony NEX-5N
Sony NEX-5N

Manufacturer specifications

Type Hybrid 
Announced 2011-08-24 
Indicative price (USD) 860  
Sensor type CMOS 
Resolution 4928 x 3276  
Sensor photo detectors (Mpix) 16.14  
Sensor size (mm) 15.6 x 23.4 
Color filter array RGB 
Pixel pitch (µm) 4.75  
Bits per pixel 12.0 
Focal length multiplier 1.50 
Aspect Ratio 3:2 
ISO latitude  100 - 25600 
Shutter type Mechanical 
Fastest - Slowest speed (s) 1/4000 - 30.0  
Frame rate (fps) 4.0  
Live view  Yes 
Stabilization  Yes 
Firmware  
Dust cleaningYes 
Mount typeSony E  
Weight (gr) 269  
Battery type Li-ion, NP-FH50 
Battery weight (gr)  
Tropicalization  
Camera material Metal top plate, Polycarbonate 
Mount material  
View finder type No 
View finder magnification  
View finder coverage  
Mirror lockup  
View finder diopter  
Monitor type LCD 
Monitor size 3 
Monitor pixel 921600 
Articulated screen Yes 
Touch screen No 
Contrast screen  
Low-pass filter  
Focus mode Yes 
Autofocus modes Single-shot AF(AF-S), Continuous AF(AF-C) selectable, Direct Manual Focus (DMF), Manual Focus 
Number of autofocus points 25 
Exposure bracketing Yes, +/-5.0 EV (1/3EV steps), 3 frames 
Exposure compensation +/-5.0 EV(1/3EV steps) 
Drive modes Single-shot, Continuous, Speed Priority, Self-timer, Continuous Self-timer, Bracketing 
Buffer size  
Recording medium  
Image format JPEG, RAW (ARW) 
White balance bracketing  
Connectivity USB 2.0 (High Speed), HDMI (mini type C) 
Bluetooth No 
3G No 
Sound recording Yes 
External micro Yes (smart accessory terminal) 
Histogram Yes 
GPS  
Video Yes 
Maximum format image video 1920 x 1080 (60 fps) 
Full HD No 
Live autofocus  
Video file format MP4 
Video codec MPEG-4 Visual 
Video stabilisation  

Certain fields may be left blank. They will be updated as soon as possible.
dxomark

Further readings for the Panasonic Lumix DMC G5

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Camera Review  |  April 02
Sony NEX-3N: Stylish replacement to NEX-F3

Sony’s annual update to the NEX range has so far failed to deliver the expected high-end replacement to the NEX-7. However, Sony has added the promising NEX-6 and refrevshed the popular, entry-level NEX-F3 with this new sleek looking model. Read on to see how well it performed in our labs.
Camera Review  |  November 28, 2012
Sony NEX-6 review – The logical CSC choice?

Announced in September 2012, the Sony NEX-6 creates a new range in the Sony line-up. It sits between the flagship Sony NEX-7 and the mid-range Sony NEX-5R offering features and performance benefits to beginner and advanced photographers alike. Providing a simplified user-interface than the NEX-7, the NEX-6 is none-the-less fully featured with a high-resolution OLED viewfinder, Full HD video recording and a tilt-adjustable screen for ease of use.
Camera Review  |  November 15, 2012
Olympus Pen E-PL5: Qualities of the OM-D E-M5

With the Pen E-PL5, Olympus updates its range of micro 4:3 compact hybrids with redesigned ergonomics, upgraded electronics, and especially with the integration of the same 16Mpix LiveMos sensor found in the OM-D E-M5. Will it show the same advances in image quality as the flagship camera of its line? Our tests provide the answer.
Camera Review  |  November 08, 2012
Sony NEX 5-R: A new Sony NEX-5N?

Announced at IFA 2012, Sony’s NEX-5R  is the third version of its very popular NEX-5 camera. This new model features a 16-megapixel APS-C EXMOR sensor composed of photosites that provide autofocusing by phase detection. Has Sony improved the image quality of its latest mid-range compact hybrid? Our tests reveal the answer.
Camera Review  |  October 25, 2012
Nikon 1 V2

In the Nikon 1 line of digital compacts with interchangeable lenses, the V2 brings some nice new features: shooting at 60 i/s, Full HD video recording in 60p, different modes for slow motion, and … a new 1-inch, 14.2-megapixel, 6400 ISO CMOS sensor that we can hardly wait to test! But while we wait for its appearance on the market, here’s all the skinny on the Nikon 1 V2.
Camera Review  |  October 04, 2012
Panasonic Lumix DMC G5: New features and a new sensor

Panasonic has added a new member to its highly esteemed Lumix G-line. The 16-megapixel Lumix DMC G5 adopts the Japanese brand’s mirrorless and Micro Four Thirds technology, and it replaces the one-year-old G3. But did Panasonic’s renovation of features and design for the G5 extend to the camera’s image quality? DxOMark has some answers.

Further readings for the Sony NEX-7

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Camera Review  |  January 18
Nikon D5200 review: New sensor and new leader

After the introduction of the entry-level 24Mpix D3200 early last year it seemed inevitable that the rest of the firm’s APS-C (DX) range would be refreshed with the same sensor. While the gestation of the new 24Mpix D5200 has taken longer than most people could of reasonably predicted, the sensor is, in fact, a new design and the first from a different vendor for Nikon. We’ve recently put the new camera through our labs, read on to see how the new sensor performs.
Camera Review  |  April 02
Sony NEX-3N: Stylish replacement to NEX-F3

Sony’s annual update to the NEX range has so far failed to deliver the expected high-end replacement to the NEX-7. However, Sony has added the promising NEX-6 and refrevshed the popular, entry-level NEX-F3 with this new sleek looking model. Read on to see how well it performed in our labs.
Article  |  January 11
DxOMark Camera Sensor

A noise benchmark of 187 digital cameras by Peter van den Hamer

DxOMark Camera Sensor is a raw benchmark for camera bodies by DxO Labs. The benchmark is “raw” because it measures image quality using Raw output files. It is also raw as DxO’s data can be used to cook up camera reviews that cover more aspects than image quality.
Camera Review  |  November 28, 2012
Sony NEX-6 review – The logical CSC choice?

Announced in September 2012, the Sony NEX-6 creates a new range in the Sony line-up. It sits between the flagship Sony NEX-7 and the mid-range Sony NEX-5R offering features and performance benefits to beginner and advanced photographers alike. Providing a simplified user-interface than the NEX-7, the NEX-6 is none-the-less fully featured with a high-resolution OLED viewfinder, Full HD video recording and a tilt-adjustable screen for ease of use.
Camera Review  |  January 04
Canon EOS M review: Canon finally joins the mirrorless party

Canon was the last major maker to embrace the hybrid or ‘mirrorless’ camera market. As a somewhat sober debut, designed for those who are new to photography, the EOS M adopts an 18-megapixel APS-C format in a compact body but boasts a number of advanced features including a 31-point hybrid AF system for stills and video and a touch sensitive 3-inch LCD. While it’s clear this camera doesn’t compete directly with the firm’s DSLRs, how does it stack up against the competition that don’t have the same volume of DSLR sales to protect?
Camera Review  |  November 28, 2012
Sony NEX-6 – The logical CSC choice?

Announced in September 2012, the Sony NEX-6 creates a new range in the Sony line-up. It sits between the flagship Sony NEX-7 and the mid-range Sony NEX-5R offering features and performance benefits to beginner and advanced photographers alike. Providing a simplified user-interface than the NEX-7, the NEX-6 is none-the-less fully featured with a high-resolution OLED viewfinder, Full HD video recording and a tilt-adjustable screen for ease of use.
Camera Review  |  February 14
Panasonic Lumix DMC-GH3 review

Hybrid is a word used both positively and negatively, quite appropriate for the photographic industry. The Panasonic Lumix DMC-GH3 wears this badge: "Hybrid", a mix of system and compact. It has a range of lenses spanning 7mm to 300mm (equivalent to 14mm up to 600mm in full frame 35mm) and a body that is not much bigger than a compact camera. Should it wear it with pride? Yes, it should…
Camera Review  |  November 15, 2012
Olympus Pen E-PL5: Qualities of the OM-D E-M5

With the Pen E-PL5, Olympus updates its range of micro 4:3 compact hybrids with redesigned ergonomics, upgraded electronics, and especially with the integration of the same 16Mpix LiveMos sensor found in the OM-D E-M5. Will it show the same advances in image quality as the flagship camera of its line? Our tests provide the answer.
Camera Review  |  October 30, 2012
Sony NEX-6: The compact hybrid synthesis

The Sony NEX-6 is a well-thought-out compact hybrid that, like the NEX-7, takes into account the needs of the expert amateur, but also considers the needs of beginning photographers as well.
Camera Review  |  October 30, 2012
SLT-A99: Sony is back in full-frame fight

Finally, a Sony full-frame DSLR: the last one was the Alpha 850. But though the new full-format 24Mpix camera shines with all of its new technology and features, it now belongs to the family of cameras with electronic viewfinders instead of with the Alpha 900 and its traditional DSLR viewfinder. With this new positioning, Sony stands out from among the leading lights in this market segment.
Camera Review  |  October 04, 2012
Sony NEX-F3

The NEX-F3 is one of three Sony mirrorless camera models released in 2012, and it’s the company’s eighth since the launch of the NEX line in 2010. The NEX-F3 borrows heavily from higher-end models, but also taps much of the technology found in its predecessor. So is there any big evolution in sensor quality for the NEX-F3? Or were most of the changes to the camera cosmetic? DxOMark has some answers.
Camera Review  |  September 25, 2012
Olympus OM-D E-M5: The best of the micro 4:3 cameras

Olympus caused a sensation when it revived the legendary OM line that had enjoyed its heyday in the silver halide era. The Olympus OM-D E-M5 successfully revisits the OM design in terms of its ergonomics and workmanship. Olympus has quite precisely taken advantage of this new family in its line of compact hybrid micro 4:3 cameras to introduce a new 16 Mpix Live MOS sensor. What is this new sensor all about? Does it represent an improvement over current Pen sensors? Does it help the micro 4:3 category to catch up with the APS-C hybrids (with the Sony NEX in the lead)? Our sensor review provides the answers.
Camera Review  |  April 20, 2012
Nikon D3200

We are already acquainted with the D3200: apart from a few ergonomic details, it’s the same camera as the compact and lightweight D3100 SLR, though missing the secondary display on its bridge for even greater compactness. The D3200 weighs only 454 grams (without battery or card). Unlike the D3100, the D3200’s lens is off-center for better balance and the highly practical LiveView/video mode activation tab of the D3100 and the D5100 has disappeared in favor of a more ergonomically mundane video recording button. The D3200 comes with a second (dorsal) infrared sensor to complement its front sensor for more practical infrared remote control. The motor selection tab (single-frame, burst, timer, remote control) is gone as well, again replaced by a direct-access button.
Preview  |  February 02, 2012
Pentax K-01

Following the hybrid camera trend and after the limited success of the Pentax Q, Pentax is announcing today a new compact camera with interchangeable lenses, the Pentax K-01.
Camera Review  |  November 30, 2011
Sony NEX 7

Ever since we tested the Sony SLT A77, we’ve been very curious to see how the soon-to-be released Sony NEX 7 would compare. And today we have the answer: as we expected, the absence of a mirror gives the NEX7 some advantages. Below is a detailed look.
Camera Review  |  October 06, 2011
Sony NEX 5N

Just as the NEX C3 succeeded the NEX 3, it's now time for the NEX 5 to be replaced by the NEX 5N. But although some successions are only slight redesigns, the 5N is a completely new camera.
Camera Review  |  September 29, 2011
Nikon 1 Series cameras

It’s rare in the world of photography for a manufacturer to come up with an entirely new product line from scratch, and it’s equally rare for a famous manufacturer such as Nikon (the world market leader) to offer a new lens mount (Nikon CX). This makes the launch of the Nikon 1 line (Nikon J1 and Nikon V1) a major event in photography this fall.
Camera Review  |  September 23, 2011
Sony A77, measurements and review of the world’s first 24 MPix APS-C camera

When the Sony A77 was announced a couple of weeks ago as a replacement for the Sony Alpha 700, Sony’s semi-professional APS-C camera, we were all very impressed by its specifications. So we were really excited to see how it would perform in our tests.

Here are our results.
News  |  September 21, 2011
Nikon J1 and Nikon V1 announcement

The long awaited and rumored mirrorless Nikon camera was finally announced today. And it’s not just one but a pair of new mirrorless compact “1 System” cameras that are coming to compete with the Sony NEX 7, the Pentax Q, the Olymps PEN EP3 or even the Fujifilm FinePix X10. These 2 first models in this new Nikon 1 series are the Nikon J1 and Nikon V1.

Further readings for the Sony NEX-5N

To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.

Camera Review  |  November 28, 2012
Sony NEX-6 review – The logical CSC choice?

Announced in September 2012, the Sony NEX-6 creates a new range in the Sony line-up. It sits between the flagship Sony NEX-7 and the mid-range Sony NEX-5R offering features and performance benefits to beginner and advanced photographers alike. Providing a simplified user-interface than the NEX-7, the NEX-6 is none-the-less fully featured with a high-resolution OLED viewfinder, Full HD video recording and a tilt-adjustable screen for ease of use.
Camera Review  |  November 15, 2012
Olympus Pen E-PL5: Qualities of the OM-D E-M5

With the Pen E-PL5, Olympus updates its range of micro 4:3 compact hybrids with redesigned ergonomics, upgraded electronics, and especially with the integration of the same 16Mpix LiveMos sensor found in the OM-D E-M5. Will it show the same advances in image quality as the flagship camera of its line? Our tests provide the answer.
Camera Review  |  November 08, 2012
Sony NEX 5-R: A new Sony NEX-5N?

Announced at IFA 2012, Sony’s NEX-5R  is the third version of its very popular NEX-5 camera. This new model features a 16-megapixel APS-C EXMOR sensor composed of photosites that provide autofocusing by phase detection. Has Sony improved the image quality of its latest mid-range compact hybrid? Our tests reveal the answer.
Camera Review  |  October 30, 2012
Sony NEX-6: The compact hybrid synthesis

The Sony NEX-6 is a well-thought-out compact hybrid that, like the NEX-7, takes into account the needs of the expert amateur, but also considers the needs of beginning photographers as well.
Camera Review  |  October 04, 2012
Sony NEX-F3

The NEX-F3 is one of three Sony mirrorless camera models released in 2012, and it’s the company’s eighth since the launch of the NEX line in 2010. The NEX-F3 borrows heavily from higher-end models, but also taps much of the technology found in its predecessor. So is there any big evolution in sensor quality for the NEX-F3? Or were most of the changes to the camera cosmetic? DxOMark has some answers.
Camera Review  |  September 25, 2012
Olympus OM-D E-M5: The best of the micro 4:3 cameras

Olympus caused a sensation when it revived the legendary OM line that had enjoyed its heyday in the silver halide era. The Olympus OM-D E-M5 successfully revisits the OM design in terms of its ergonomics and workmanship. Olympus has quite precisely taken advantage of this new family in its line of compact hybrid micro 4:3 cameras to introduce a new 16 Mpix Live MOS sensor. What is this new sensor all about? Does it represent an improvement over current Pen sensors? Does it help the micro 4:3 category to catch up with the APS-C hybrids (with the Sony NEX in the lead)? Our sensor review provides the answers.
Camera Review  |  March 19, 2012
Sony SLT-A57 Review

Sony unveiled its 2012 line and introduced the Sony SLT-A57, an updated version of its first digital SLR camera with a video viewfinder and EVF, the SLT-A55.
Camera Review  |  February 09, 2012
DxOMark Olympus OM-D

After its great success over the past several years in refurbishing its PEN line, Olympus is continuing its quest for innovation by updating other legendary cameras of the past.
Camera Review  |  January 11, 2012
Panasonic Lumix GX1

Here are the results for the latest camera in Panasonic’s micro-four-thirds line, the Panasonic Lumix DMC GX1. When equipped with a 14-42mm pancake lens and lateral-lever zoom, this is a very compact camera indeed.
Camera Review  |  October 06, 2011
Sony NEX 5N

Just as the NEX C3 succeeded the NEX 3, it's now time for the NEX 5 to be replaced by the NEX 5N. But although some successions are only slight redesigns, the 5N is a completely new camera.