To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
Launched side-by-side, the EOS 760D and EOS 750D (a.k.a. T6s and T6i in North America, respectively) share a lot in common, including the same high-resolution 24.2-Mpix APS-C CMOS sensor, complete with Canon’s Hybrid CMOS AF III for fast and accurate focusing. We’ve put the two models through our lab tests, along with a wide range of native and third-party Canon-mount lenses. Read on to find out how these models perform.
The Canon EF-S 55-250mm f/4-5.6 IS STM is a telephoto zoom designed for use on Canon DSLRs featuring an APS-C sensor. A versatile 2nd lens to complement the standard 18-55mm kit lens, it offers an equivalent 80-400mm focal length to get closer to the action and 3.5 stops of image stabilisation. With its DxOMark scores in, lets look at its strengths and weakness and consider some of the other options available.
Equipped with a new 20-Mpix APS-C CMOS sensor and dual-pixel CMOS AF system, Canon’s latest DSLR is the long-overdue update to the flagship EOS 7D model. Read on to find out how the new 20-Mpix sensor performs.
Canon APS-Cshooters will be pleased to see the announcement of the Canon 7D Mark II as their new flagship APS-C DSLR. Whilst the original version pushed many boundaries when launched, 5 years on it’s now looking pretty long in the tooth. So how will the updated 20.2Mp Mark II version compare in today’s dramatically different camera world? Lets find out.
With the 2014 World Cup in Brazil approaching, this is the time manufacturers with serious interests in professional sports start revealing new cameras and lenses to selected press agencies. Both Canon and Nikon are rumored to be fielding prototype professional-level APS-C bodies during the tournament for testing. However, rival Sony appears to have stolen a march by introducing the SLT Alpha 77 II ahead of the games.
Samyang is earning a reputation for good quality yet sensitively priced, high-speed full-frame manual focus primes. Can this new APS-C only 24mm equivalent model offer similar value and optical quality? Read on to find out.
Recently announced in a black finish, the original chrome-bodied version was the first telephoto zoom for the firm’s NEX mirrorless models and was intended to complement the 18-55mm kit lens. Read on to find out how well it performs.
Tamron has released a new modestly priced, stabilized super-telephoto zoom for both full-frame and APS-C cameras, the SP 150-600mm f5-6.3 Di VC USD. How does this $1,100 model compare against the slightly shorter-range Sigma and Canon offerings?
Canon was the last maker to introduce a mirrorless camera to the market and after something of a false start with EOS M, the company has released an update with the same Hybrid CMOS II sensor as the company’s Rebel SL1 (100D). Read on to find out how the new, Asia only, EOS M2 performs.
Continuing our series of evaluation of lens systems we’ve assessed a modest range of Pentax and third-party lenses for their optical quality on the firm’s new flagship Pentax K-3 model. As the replacement for the K-5 II and K-5 IIs, the Pentax K-3 has a new higher pixel density 24-Mpix sensor without an AA filter, and is a promising platform for lens evaluation. Read on to find out which models perform best, and which, if any, that should be avoided.