To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
Launched just 8 months after its predecessor, the A6300, the $1398 Sony A6500 is the third iteration in Sony’s flagship range of mirrorless hybrid cameras featuring an APS-C sensor. Built around the same 24.2Mp APS-C Exmor CMOS sensor as the A6300, the new A6500 achieves the same overall DxOMark score of 85 points, with almost identical results in its Portrait, Landscape, and Low-light ISO scores. The A6500’s 24.2Mp sensor packs plenty of resolution for photographers seeking to record intricate detail, and in the mirrorless APS-C camera category, the A6500 is surpassed in resolution only by the 28.2Mp Samsung NX1.
Carl Zeiss’s latest range of Batis lenses have been specifically designed for the Sony A7 series of full-frame mirrorless cameras such as the Sony A7R II and Sony A7S II. Together with the legendary optical precision and outstanding build quality for which Carl Zeiss lenses are known, the new Batis lenses also feature autofocus and an innovative OLED display on the lens barrel that gives both focus distance and depth-of-field information. The first lenses released in the Zeiss Batis lineup are the 25mm f/2 wide-angle prime and the 85mm f/1.8 short telephoto prime.
Rather than follow established trends for high-grade, high-speed lenses that are inevitably large, heavy, and cumbersome, the manual-focus Loxia series from Zeiss, like the AF Batis range, feature the same high-grade optics, but with more modest maximum apertures in a form factor based on the premise of the tiny size of the Sony A7 full-frame mirrorless cameras themselves. Announced in October, 2015, the $1499 Zeiss Loxia 21mm f2.8 is a super-wide-angle prime with a new Distagon design that’s been optimized for the demands of digital capture.
The new Sony A7S II is the upgrade to the A7S and offers ultra-high sensitivity up to ISO409600 and 5-axis stabilization in what promises to be an impressive available-light camera. In addition, the A7S II builds on its predecessor’s video credentials, adding 4K (UHD) internal and Full HD video up to 120 fps. Read on to find out how well the sensor in this new model performs.
Packing a 28.2Mp BSI CMOS sensor, the Samsung NX500 is one of the highest-resolution APS-C hybrids cameras currently available. Wasting no time after posting scores for its sister model, the NX1, our latest review analyzes the stats and scores for the NX500.
We continue our optical analysis of Sony’s latest FE-mount lenses, this time examining the performance of the $1598 Sony Carl Zeiss Distagon T* FE 35mm F1.4 ZA. A professional-grade “fast” aperture wide-angle prime, the new lens is specifically designed for use on Sony A7 hybrid cameras. Including three aspherical lens elements and Zeiss T* coatings for enhanced image quality, let's hope for great results as we run though our industry standard tests.
Packing a 28.2Mp APS-C sensor, 4K-video and 15fps burst shooting, the new Samsung NX1 is hot news on the hybrid scene. For a full overview of features and specifications, check out our NX1 Preview. And now with the NX1’s sensor measurements in and verified, let’s see what Samsung’s latest NX hybrid camera has to offer.
A year on from launching the world's first full frame hybrid camera Sony have unveiled its successor, the a7 II. Claiming another world first the new Sony a7 II is the first full frame interchangeable lens camera to feature a 5-axis image stabilisation system. But what else is new? We trawl through the new Sony a7 II spec sheet to find out.
One of the hottest launches from this year’s Photokina trade show, the Nikon D750, has grabbed the attention of serious amateurs and pros alike. Boasting a newly developed 24.3Mp sensor, expanded ISO sensitivity range and a host of features from their pro DSLRs it looks a mouth-watering prospect. Lets take a look at the D750 sensor scores and results to see how it stacks up against the full frame competition.
Zeiss have unveiled two new ‘Loxia’ full frame E mount lenses for the Sony a7 series. Both lenses feature a ‘fast’ f/2 maximum aperture, manual focus and function to deactivate the mechanical aperture for shooting video. Offering a moderate wide-angle 35mm and standard 50mm focal lengths, let's see what Zeiss have in store for Sony a7 shooters.
Hello DxOMark, I appreciate really a lot the scientific approach to measure lenses quality. Sorry for submit again this question - alredy posted on this group - but I see you tested all the Sony FE on the amazing A7R, and I would like to know if you plan to make also some tests (at least 1 lens) on A7 in few months. Regards Paolo
Hi, Thank you for your interest in DxOMark. We are still working on it, and we should be able to assess lenses on these two cameras before the end of September. I advise you to stay tuned via our RSS feeds and by joining our Facebook and Twitter communities: https://www.facebook.com/DxOMark https://twitter.com/DxOMark
hi dxomark, just wondering when will you be reviewing the new sony ICLE-6000? I'm very interested in how it compares to the A7 and NEX-7. Also, will you test the sigma 19mm f2.8 for E-mount lens? Thank you!
Hi, I'm tuned 3 months and still no results here :) I'm really looking forward. I have D7100 and I bought lenses thanks to your side. I saved some money and got sharp and really good lenses. But the time of A7 is coming... :)