To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
In addition to revamping the premium-quality Zeiss-branded Vario-Sonnar 16-35mm f2.8 ZA SSM, Sony took the opportunity to do the same with its 24-70mm f2.8 sibling. Read on to find out how well this updated lens performs.
Although Sony has concentrated on the E-mount lens range for their mirrorless Alpha range, it hasn’t entirely forgotten the A-mount lens range. This lens is an update to the highly-regarded Zeiss-designed full-frame 16-35mm f2.8 SSM model. Read on to find out how well this updated zoom lens performs.
One of the hottest launches from this year’s Photokina trade show, the Nikon D750, has grabbed the attention of serious amateurs and pros alike. Boasting a newly developed 24.3Mp sensor, expanded ISO sensitivity range and a host of features from their pro DSLRs it looks a mouth-watering prospect. Lets take a look at the D750 sensor scores and results to see how it stacks up against the full frame competition.
Following the recent reviews of the Canon mount and modified Nikon (AE) models we’ve now turned our attention to the Sony Alpha and Pentax K mount versions of the ultra-high speed Samyang 24mm f1.4 prime. Read on to find out how well the Samyang performs and if that or a rival model is the best choice for Sony and Pentax users.
Sigma are well known for their accessibly priced models and at just under $1,100 the 150-500mm f5-6.3 APO seems like a promising alternative to the premium offerings from the camera makers. Although one of the older models in the firm’s range now, does it still have what it needs to compete with more modern rivals?
As an moderately priced full-frame high-speed standard zoom, the Sigma 24-70mm f2.8 seems like a promising option to the far pricier offerings from the camera makers. Read on to find out how well it performs.
As the lower pixel count of the two full-frame A series mirrorless models from the firm the Sony A7 has been somewhat overshadowed by its pricier sibling. But with a less demanding 24-Mpix sensor and on-chip phase detection AF, the A7 sounds promising for legacy glass as well as offering faster focusing with the existing E and new FE mount lenses. Read on to find out how this intriguing new model performs.
As the first model in Sigma’s high-grade ART series the 35mm f1.4 HSM A set the bar very high for image quality when measured on Canon and Nikon bodies. The lens is also available in Sony mount, and we couldn’t resist trying it on the excellent Sony A99. Read on to see how well it performs.
In less than a year the Nikon D610 replaces the hugely popular full frame 24mpix D600 and features a new, improved shutter mechanism and some minor improvements to the auto white balance system. Although the firm didn't announce any improvements to the sensor and imaging pipeline, we were intrigued enough to put it through our labs to find out.
Hi, Our apologies for the late reply. Due to a very tight testing schedule and quite a lot of other priorities, we could not include this lens on our road map, and we are still not sure whether we'll be able to test it or not. We can only advise you to stay tuned on dxomark.com and on our social media pages for future announcements.
Sony is doing well, a99 is one wonderful innovation, but I don't know why Sony has stop manufacturing DSLR or DSLR like cameras which is less expensive like sony a580 and which have longer battery life. I think is time for Sony to upgrade the a99, we have had a lot of a7 series which too expensive and very small. honestly I like a99, because of how it was built and great image quality.
I know it would be difficult, but is there any chance you guys can get your hands on the older Minolta glass? It is much more integral for the Sony mount since the Minolta mount is still very much a part of our system. So if you ever get your hands on the following lenses (I am a bit biased as a wildlife photographer), can you please test them as many alpha shooters still use them.
Minolta 200/2.8 G APO Minolta 300/4 G APO Minolta 400/4.5 G APO Minolta 600/4 G APO Minolta 80-200/2.8 G
Hopefully you can get your hands on some of these lenses and test them.
Any news regarding the tests of broader range of high-end lens for Alpha system? The Sony 50/1.4 ZA SSM was supposed to be tested in the summer and it's still not there. People often ask for testing Sony 135/1.8 ZA or 24/2.0 too, are there any plans for them? And the new 70-200/2.8G SSM II? These are probably the lens the professionals are most interested in.
numbers don't talk to me that much... but this is not the point here. However i think the prime lens ranking is going to be bothered when you will review the 135f1.8 sony zeiss. and... the 50f1.4 sony zeiss planar! just purchased it, It's my 4th 50mm among every brands and this is stellar, contrasty as f*** straight from widest aperture. SSM crazy fast and accurate, way above all others CaNikon. Not flawless (distortion, CA f1.4), but almost, it's a must have and indirectly a must test. you must do it!
Hi, from my rather long experience with the predecessor, the still "current" 300/2.8 SSSM, there has to be a mistake in the testing of the new Sony lens - it will not be worse than the old version (or will it?). And the current 300/2.8 SSM is at least on par with the Zeiss 85/1.4 AF or the 135/1.8 AF which I use, and A LOT (and I mean: A LOT!) sharper than the Sony 35/1.4, for example - it is one of or even the best lens in the Sony system (for an impression, just look at Sony´s MTF charts). Almost everybody in the Sony forums who has access to that lens says the same... - so could there have been a mistake? A focus problem or a "faulty" lens, for example?
I would LOVE to see a retest with a second item - Sony company should be interested in putting the result right and proving the 300/2.8 SSM to be the "stellar" lens it is... - the current version is indeed! Thank you, Ruediger
Sony lenses we analyzed were provided by Sony itself. About your remark on the 35mm f/1.4, DxOMark results confirm what you noticed (please check the comparison here Sony 300mm vs 35mm f/1.4). If you only look at the Sharpness score, the 300mm is far higher rated than the 35mm f/1.4. However the DxOMark score is performed in lowlight condition. In such illumination, the larger aperture of the Sony 35mm f/1.4 enables a lower noise on the SLT A99 sensor. That means that you will finally get a similar IQ on both couples: on one side (300mm), you have a sharp image but with an higher level of noise, on the other side, the image is softer but without noise.
I use Zeiss manual focus lenses on my A99 and the results are amazing. Basically I purchased Nikon mount ZF.1 lenses and easily changed the mounts with Leitax mounts, now I have the best of both worlds, class leading glass, fantastic EVF with focus peaking. I did a comparison of the Excellent Sony 24/2 lens and Zeiss 25/2.8, I preferred the look of the Zeiss 25.
I really wish you guys would do some test with this lens... A lot of us a-mount shooters feel that it could possibly be the best a-mount (prime) lens... and even the best 135mm prime on the market. I would love to see how it does (in terms of scoring)