Further readings for the Canon EF 24-70mm f/2.8L II USM
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We’ve tested 130 lenses on Canon’s flagship camera, the full-frame 18-Mpix Canon EOS-1D X Mk II, covering focal lengths ranging from an incredibly wide 11mm up to a super-telephoto 600mm.
We’ve split the results between primes and zooms and then arranged them into three groups according to use. This equates to ultra-wide and wide-angle, standard, and telephoto to help you narrow down the best performer in each.
However, this time we’ve compared lenses from the perspective of the camera’s intended market — the photojournalist. While they’re not really any different from the next photographer when it comes to choosing focal length, there are some models that perhaps require further consideration.
Announced as one of a trio of lenses in the new G Master series, the new FE 24-70mm F2.8 GM boasts some pretty advanced technology to complement future sensor and camera designs. The G Master range sits above the maker’s already high-end G series and carries a hefty premium. The FE 24-70mm F2.8 will set you back close to $2,200.
Our technicians have tested no fewer than 130 lenses on Canon’s 50.6Mp EOS 5DS R Digital SLR. With the results for both prime and zoom lenses covering a diverse range of focal lengths, we’ve got all the data you need for picking out the right lens. In Part 1 of our three-part review, we bring you the analyzed and verified scores for standard zoom lenses as well as 35mm, 50mm and 85mm primes on the Canon EOS 5DS R.
After releasing high-speed 35mm and 24mm primes, Sigma has turned its attention to more moderate f/2-speed models. But rather than competing head-on with fixed focal length models, the company has introduced a high-grade f/2 zoom instead. Read on to find out how well this intriguing model performs.
With a full-frame 18-Mpix CMOS sensor and twin Digic 5+ processers that’s capable of continuous bursts of up 12 fps – the fastest of any professional DSLR currently - the Canon EOS-1 Dx is the firm’s flagship press camera. We’ve assessed it with over 100 EF mount lenses, to see how well they perform. Read on to find out which models are the best optically and which, if any, you should avoid.
After the runaway success of the full-frame 35mm f/1.4, Sigma is taking the initiative with this new ultra-high speed, pro-level standard zoom designed for APS-C format cameras. The specification is particularly promising, but does it mean the end of fixed focal lenses for APS-C? Read on to see how well this cutting-edge model performs in our labs.
In the lead up to Photokina 2012, Canon announced the new Canon EOS 6D full-frame entry-point model within days of Nikon publicizing their most-affordable full-frame camera to date, the 24-Mpix D600. While the EOS 6D boasted some attention grabbing features including built-in WiFi and GPS and slightly undercut the Nikon on price, it couldn’t match its rival in one or two key areas, namely the less populated AF system and lower resolution sensor.