Further readings for the Canon EF 70-300mm f/4-5.6L IS USM
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
Sony has been very busy introducing new lenses for their mirrorless models. Announced alongside the FE 50mm F1.8, this lens — the stabilized FE 70-300mm F4.5-5.6 G OSS — is a tele-zoom lens initially designed for the company’s full-frame bodies, but it will also appeal to users of Sony’s APS-C mirrorless bodies, for which it’s the equivalent of a 105-450mm.
In Part 2 of our best lenses for the Canon EOS 5DS R review, we’re looking at the best optics for travel, wildlife, portrait and event photography. Whether you’re looking for a versatile zoom for weddings, a prime for the best quality portraits, or a professional sports and wildlife lens, we’ve got all the data you need. So let’s analyze the scores in five different categories — short telephoto prime, long telephoto prime, “fast” telephoto zoom, “slow” telephoto zoom, and super-zoom — to discover the best-performing lenses in each group.
Canon has announced an updated version of their compact super telephoto zoom lens. The new EF 100-400mm f/4.5-5.6 L II USM boasts a number of upgrades over its predecessor, which Canon claim improve both the image quality and handling of the new version. We preview what this latest lens has to offer and see how the original version performed in the DxOMark Lens tests.
A favorite of wildlife and action photographers, Canon’s EF100-400mm f4.5-5.6L IS USM is a well-specified and versatile model. However, as it approaches sixteen years in production, is it still capable of competing with more modern offerings? Read on to find out.
Sigma are well known for their accessibly priced models and at just under $1,100 the 150-500mm f5-6.3 APO seems like a promising alternative to the premium offerings from the camera makers. Although one of the older models in the firm’s range now, does it still have what it needs to compete with more modern rivals?
In the lead up to Photokina 2012, Canon announced the new Canon EOS 6D full-frame entry-point model within days of Nikon publicizing their most-affordable full-frame camera to date, the 24-Mpix D600. While the EOS 6D boasted some attention grabbing features including built-in WiFi and GPS and slightly undercut the Nikon on price, it couldn’t match its rival in one or two key areas, namely the less populated AF system and lower resolution sensor.
With the vagaries of photographing wildlife, the flexibility of a telephoto zoom would appear to be an attractive solution. However, image quality is often a compromise at the maximum aperture and longest focal length, typically the most crucial settings. We’ve pulled some lens data from our database and put together a round up of popular zoom lenses over the years (and made some comparisons with high performance primes). Read on to find out which models have the best image quality.
Designed to be an affordable L-series telephoto lens, the new EF70-300 f/4-5.6L IS USM is now tested and ranked on dxomark.com. Specs seem very close to those of the previous non-L-series Canon EF70-300 f/4-5.6 IS USM which is also available for comparison. Take a look at the results...