Further readings for the Carl Zeiss Distagon T 25mm f/2 ZF.2 Nikon
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
Nikon’s latest flagship FX-mount, full-frame DSLR — the D5 — is a performance powerhouse, featuring a new 153-point autofocus system and 12 fps burst shooting of up to 200 14-bit RAW files. Designed for the traditional customer base of sports, press and wildlife pros demanding top performance, the D5’s increased 20.8Mp resolution and enhanced low-light capabilities has further broadened the D5’s appeal. As well as boasting enough pixels for advertising, magazine, and even landscape photography, the D5’s image quality improvements at the mid-ISO 1600–12,800 range will interest a range of professionals looking for great results in low light.
Carl Zeiss’s latest range of Batis lenses have been specifically designed for the Sony A7 series of full-frame mirrorless cameras such as the Sony A7R II and Sony A7S II. Together with the legendary optical precision and outstanding build quality for which Carl Zeiss lenses are known, the new Batis lenses also feature autofocus and an innovative OLED display on the lens barrel that gives both focus distance and depth-of-field information. The first lenses released in the Zeiss Batis lineup are the 25mm f/2 wide-angle prime and the 85mm f/1.8 short telephoto prime.
In this second installment of lens recommendations for the Nikon D810, we’ve been analyzing the best performing models for landscape and wildlife photography. Admittedly when it comes to fast-paced photography there are better choices in Nikon’s range but there’s always a case for high-resolution imagery but the Nikon D810 also serves to highlight the best performing models, and particularly in the longer focal lengths where it’s more common (and often more practical) to use cameras with lower pixel densities.
Aimed at professional studio and landscape photographers, the full-frame 36-Mpix D800E with its modified AA filter effectively increasing resolution over the standard D800 model is the closest 35mm full-frame camera yet to rival larger formats in rendering fine detail. If you’re undecided over which of the two models to choose, we’ve analyzed the image quality of the Nikon D800E with over 100 different lenses to discover how well this groundbreaking camera performs.
We’ve tested the new 24-Mpix Nikon D3300 with more than 140 Nikkor and third-party prime and zoom models to assess image quality. Read onto find out which of these lenses have the best image quality when paired with the new camera.
Following the recent review of the Canon mount model we’ve had the opportunity to test the Nikon mount version of ultra-high speed Samyang 24mm F1.4 prime. Unlike the Canon version this model has a built-in CPU for full compatibility with the various exposure and metering modes. It also has a fully automatic aperture. Read on to find out how well the Samyang performs in our tests and if that or a rival model is the best choice for Nikon FX users.
Following the lens recommendations for Nikon D7100 and entry-level D3200, we’ve now turned our attention to the new mid-range D5300. We’ve tested the camera with more than 140 Nikkor and third-party prime and zoom models to assess image quality. Read onto find out which of these lenses have the best image quality when paired with the new camera.
Following on from the lens recommendations for the earlier full-frame Nikon D600, we’ve now had the opportunity to assess a wide range lenses with that model’s replacement, the 24-Mpix D610. We’ve analyzed a total of 95 Nikkor and third-party prime and zoom models with the D610 to assess image quality, and we’ve come across some unexpected results. Read on to find out more about that and which lenses perform best when paired with the camera.
Following the recommendations for Nikon D7100, we’ve had the opportunity to assess another of the firm’s 24-Mpix DX format cameras – the mid-range D5200 - with over 120 Nikkor and third-party prime and zoom models to assess image quality. Read onto find out which of these lenses perform best when paired with the camera.