Further readings for the Carl Zeiss Distagon T* Otus 1.4/55 ZE Canon
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
Two years after the launch of the first lens in its highly-respected Art line, Sigma has finally added a 85mm f/1.4 model. In case you’re unfamiliar with Sigma’s Global Vision, the Art primes are the company’s high-speed f/1.4 models that have have been developed to compete in image quality with the very best lenses from Canon and Nikon, and can even give legendary lens maker Zeiss a run for its money.
Along with the 35mm f/1.8 reviewed previously, third-party maker Tamron also announced an almost identical-looking 45mm f/1.8 model. Like its sibling, this new high-grade prime features image stabilization, one ED glass element, and two aspheres. Read on to find out how well this new model performs.
Launched side-by-side, the EOS 760D and EOS 750D (a.k.a. T6s and T6i in North America, respectively) share a lot in common, including the same high-resolution 24.2-Mpix APS-C CMOS sensor, complete with Canon’s Hybrid CMOS AF III for fast and accurate focusing. We’ve put the two models through our lab tests, along with a wide range of native and third-party Canon-mount lenses. Read on to find out how these models perform.
In Part 2 of “Best lenses for the EOS 7D Mark II,” we’re looking at the performance of primes on Canon’s flagship APS-C sensor.We’ve analyzed over 300 fixed-focal-length lenses on the EOS 7D Mark II, including own-brand Canon EF and EF-S lenses that are designed specifically for use on the Canon APS-C sensor. Covering a range of third-party alternatives as well, our comprehensive analysis will help you pick out a prime, whatever your photographic needs.
Launched a little over 2-years ago, the first Zeiss Otus model was a triumph in optical and mechanical perfection, and now Zeiss has added a second model to the range, and high speed 85mm with a heady mix of six anomalous dispersion glass elements, one asphere and a floating system to reduce aberrations at close range. Read on to see how well this new exotic model performs.
With a full-frame 18-Mpix CMOS sensor and twin Digic 5+ processers that’s capable of continuous bursts of up 12 fps – the fastest of any professional DSLR currently - the Canon EOS-1 Dx is the firm’s flagship press camera. We’ve assessed it with over 100 EF mount lenses, to see how well they perform. Read on to find out which models are the best optically and which, if any, you should avoid.
In the first part of our comprehensive lens recommendations for the new entry-level Canon EOS Rebel T5 / 1200D, we’ve assessed a raft of primes from both the maker and third parties to see how well they perform on the camera. As well as highlighting the best performers we’ve also taken a closer look at the best on a budget.