Further readings for the Carl Zeiss Distagon T* Otus 1.4/55 ZF.2 Nikon
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
Zeiss has replaced its so-called “Classic” range of Nikon ZF.2 and Canon ZE SLR lenses with redesigned models reminiscent of the company’s high-end Otus range. Adopting the scientific name for a genus of birds of prey, the rebranded Milvus lens range consists of several models, with this particular 1.4/50 model featuring an all-new optical design as a replacement for the Planar T* 1,4/50.
Announced in January 2014, the Sigma 50mm F1.4 DG HSM is a high-speed premium AF lens with an image circle designed to cover full-frame sensors. When fitted to an APS-C camera, however, the angle of view is equivalent to a 75mm short telephoto.
Designed exclusively for Sony E-mount cameras and the full-frame A7 series models in particular, the Zeiss Loxia 2/50 (50mm f/2), like the Otus ZF models, deliberately avoids AF in favor of a mix of manual mechanical controls and electronic data transfer. Read on to find out how well this lens performs.
In Part 2 of “Best lenses for the Nikon D750” we’re looking at the performance of primes on Nikon’s latest full-frame DSLR. We’ve analyzed over 60 fixed-focal-length lenses on the D750, including Nikon’s own Nikkor brand and third-party alternatives. Covering focal lengths from 14mm through to 600mm, the scores include some of the best results our technicians have ever recorded.
Nikon’s mid-term refresh of the firm’s hugely popular D800 and D800E models resulted in a single model, the D810. Like the D800E it aims to maximize the resolution of the full-frame 36-Mpix CMOS sensor and omits a modified AA filter completely. We’ve analyzed the image quality of over 100 different lenses mounted to the new camera to discover how well this new model performs.
Launched a little over 2-years ago, the first Zeiss Otus model was a triumph in optical and mechanical perfection, and now Zeiss has added a second model to the range, and high speed 85mm with a heady mix of six anomalous dispersion glass elements, one asphere and a floating system to reduce aberrations at close range. Read on to see how well this new exotic model performs.
ZEISS has launched a new f/1.4 85mm short telephoto prime lens for high-end fashion, advertising, product or architectural photography. Available in ZEISS’s ZE mount for Canon EF, or ZF.2 for Nikon F mount, the new ZEISS Otus 1.4/85 promises outstanding build and image quality for the professional photographer.
Aimed at professional studio and landscape photographers, the full-frame 36-Mpix D800E with its modified AA filter effectively increasing resolution over the standard D800 model is the closest 35mm full-frame camera yet to rival larger formats in rendering fine detail. If you’re undecided over which of the two models to choose, we’ve analyzed the image quality of the Nikon D800E with over 100 different lenses to discover how well this groundbreaking camera performs.
Aimed at professional studio and landscape photographers, the full-frame 36-Mpix D800E with its modified AA filter effectively increasing resolution over the standard D800 model is the closest 35mm full-frame camera yet to rival larger formats in rendering fine detail. If you’re undecided over which of the two models to choose, we’ve analyzed the image quality of the Nikon D800E with 100 different lenses to discover how well this groundbreaking camera performs.
We’ve tested the new 24-Mpix Nikon D3300 with more than 140 Nikkor and third-party prime and zoom models to assess image quality. Read onto find out which of these lenses have the best image quality when paired with the new camera.
<div id="linkdxomark">This a comment for <a href="http://www.dxomark.com/Lenses/Carl-Zeiss/Zeiss-Carl-Zeiss-Distagon-T-STAR-Otus-55mm-F14-ZF2-Nikon">this page on the website</a></div>Be nice to compare how the 135 compares to the Otus optically (and the 100mm of course).
I have made a Vimeo group for the Otus series of lenses... in which my own "Sveggøyra" is a part.
Check it out and join it here: [url=http://vimeo.com/groups/229279]http://vimeo.com/groups/229279[/url]
I also did a rough test with several EF L lenses vs the Otus with example still images which can be downloaded here: [url=https://dl.dropboxusercontent.com/u/18962406/Archive.zip]https://dl.dropboxusercontent.com/u/18962406/Archive.zip[/url]