Further readings for the Nikon AF-S DX Nikkor 10-24mm f/3.5-4.5G ED
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
With an f/2 constant maximum aperture, this lens is a new ultra-high-speed addition to the range of wide-angle zoom models for DX (APS-C)-format DSLRs from Tokina. Its ticket of around $899 represents a premium over its smaller and slower siblings, but the lens is still competitively priced against the other brands, especially when taking the f/2 maximum aperture into account.
A wide-angle is a must-have lens for landscape and architectural photographers, with a versatile wide-angle zoom often favored by those shooting press, weddings, events, or street photography. That there are different DSLR sensor sizes (35mm full-frame or cropped APS-C) means that it’s important to buy a lens designed specifically for each format. This is especially true for wide-angle zoom lenses, because although a full-frame format wide-angle will still work on APS-C, the crop means it’s not really wide-angle.
Announced in September 2015, the new $479 Tokina AT-X 11-20mm f/2.8 Pro DX (Tokina 11-20mm f/2.8) is a wide-angle zoom lens for Canon, Nikon and Sony APS-C DSLRs. Updated from Tokina’s popular 11-16mm f/2.8, this latest wide-angle alternative offers an increased focal range that’s equivalent to 16-30mm on Nikon DX-format DSLRs.
We’ve tested the new 24-Mpix Nikon D3300 with more than 140 Nikkor and third-party prime and zoom models to assess image quality. Read onto find out which of these lenses have the best image quality when paired with the new camera.
Following the lens recommendations for Nikon D7100 and entry-level D3200, we’ve now turned our attention to the new mid-range D5300. We’ve tested the camera with more than 140 Nikkor and third-party prime and zoom models to assess image quality. Read onto find out which of these lenses have the best image quality when paired with the new camera.
Following the recommendations for Nikon D7100, we’ve had the opportunity to assess another of the firm’s 24-Mpix DX format cameras – the mid-range D5200 - with over 120 Nikkor and third-party prime and zoom models to assess image quality. Read onto find out which of these lenses perform best when paired with the camera.
This is the fourth and final part in the series of our lens recommendations for the Nikon D7100, where we’ve analyzed over 20 Nikkor and third-party wide and ultra wide angle prime and zoom models to assess their optical quality.
Read onto find out which of these lenses are the best performers when paired with Nikon’s ultra-high resolution 24-Mpix APS-C format semi-pro model.
The Sigma 10-20mm F3.5 EX DC HSM, which came out in March 2009, completes Sigma’s Pro (EX) line. This very-wide-angle lens, compatible with APS-C cameras, offers a constant aperture at f/3.5 across the entirety of its focal lengths. And with its HSM (hypersonic motor), it also offers fast focusing.