Further readings for the Nikon AF-S Nikkor 85mm f/1.4G
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
Announced in February 2016, the $749 Tamron SP 85mm f/1.8 Di VC USD (Tamron 85mm f/1.8) is a fast, short telephoto prime lens available in Canon, Nikon, and Sony lens mounts. This review considers the performance of the Nikon version.
If you’ve invested in Nikon’s D500 APS-C DSLR, you’re no doubt delighted with its excellent build, tilting touch-screen LCD, new joystick control, chunky ergonomic handgrip, and large viewfinder. It’s a high-performance APS-C option, too, that includes the 153-point improved tracking autofocus system and Expeed 5 processing engine from Nikon’s flagship D5, as well as 10fps burst shooting of up to 200 14-bit RAW files.
With its natural perspective and selective focus at maximum aperture, the 85mm f/1.4 is the perhaps the most coveted of short telephoto lenses for portraiture both indoors and out. This new manual-focus lens from high-end maker Zeiss replaces the earlier 85mm model from the maker’s Classic line, and features a new optical design and an exterior resembling that of the no-compromise Otus models.
One of three new lenses announced as part of Sony’s new no-compromise G Master series for full-frame a models, the new FE 85mm f1.4 GM sounds highly promising. Though it carries a hefty price premium — the new model will set you back close to $1,800 — it features cutting-edge optical technology.
In Part 2 of “Best lenses for the Nikon D750” we’re looking at the performance of primes on Nikon’s latest full-frame DSLR. We’ve analyzed over 60 fixed-focal-length lenses on the D750, including Nikon’s own Nikkor brand and third-party alternatives. Covering focal lengths from 14mm through to 600mm, the scores include some of the best results our technicians have ever recorded.
ZEISS has launched a new f/1.4 85mm short telephoto prime lens for high-end fashion, advertising, product or architectural photography. Available in ZEISS’s ZE mount for Canon EF, or ZF.2 for Nikon F mount, the new ZEISS Otus 1.4/85 promises outstanding build and image quality for the professional photographer.
Aimed at professional studio and landscape photographers, the full-frame 36-Mpix D800E with its modified AA filter effectively increasing resolution over the standard D800 model is the closest 35mm full-frame camera yet to rival larger formats in rendering fine detail. If you’re undecided over which of the two models to choose, we’ve analyzed the image quality of the Nikon D800E with over 100 different lenses to discover how well this groundbreaking camera performs.
Aimed at professional studio and landscape photographers, the full-frame 36-Mpix D800E with its modified AA filter effectively increasing resolution over the standard D800 model is the closest 35mm full-frame camera yet to rival larger formats in rendering fine detail. If you’re undecided over which of the two models to choose, we’ve analyzed the image quality of the Nikon D800E with 100 different lenses to discover how well this groundbreaking camera performs.
We’ve tested the new 24-Mpix Nikon D3300 with more than 140 Nikkor and third-party prime and zoom models to assess image quality. Read onto find out which of these lenses have the best image quality when paired with the new camera.
Why does the Nikon AF-S Nikkor 85mm f/1.4G, with a DxOMark of 40 on a D800, is ranked #2? There is no #1 in your Camera Lens Rating database? And why the Nikon AF-S Nikkor 85mm f/1.8G, with the same DxOMark of 40 on a D800 and D600 is ranked #3 and #6, respectively?
The D800 is Nikon's hottest introduction in years. A much bigger volume seller than the D4. Many lenses were tested with the D4 but not the D800. The D8000's 36Mp sensor taxes lens performance in a unique way. No other DSLR body approaches that resolution. Yet, no lens was tested on the D800. Why?