Further readings for the Nikon AF-S NIKKOR 500mm f/4G ED VR
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
We’ve tested a total of 83 fixed focal length prime lenses on the D3400, including both FX-mount full-frame lenses, as well as the DX-mount optics that are specifically designed for use on the APS-C D3400. These lenses cover a vast range of focal lengths, from an ultra wide-angle 14mm for fitting lots into the frame, through to a super-telephoto 600mm focal length that offers a whopping 900mm equivalent on the D3400 (taking account of the Nikon 1.5x APS-C crop factor).
Nikon’s latest flagship FX-mount, full-frame DSLR — the D5 — is a performance powerhouse, featuring a new 153-point autofocus system and 12 fps burst shooting of up to 200 14-bit RAW files. Designed for the traditional customer base of sports, press and wildlife pros demanding top performance, the D5’s increased 20.8Mp resolution and enhanced low-light capabilities has further broadened the D5’s appeal. As well as boasting enough pixels for advertising, magazine, and even landscape photography, the D5’s image quality improvements at the mid-ISO 1600–12,800 range will interest a range of professionals looking for great results in low light.
In this second installment of lens recommendations for the Nikon D810, we’ve been analyzing the best performing models for landscape and wildlife photography. Admittedly when it comes to fast-paced photography there are better choices in Nikon’s range but there’s always a case for high-resolution imagery but the Nikon D810 also serves to highlight the best performing models, and particularly in the longer focal lengths where it’s more common (and often more practical) to use cameras with lower pixel densities.
Following on from the lens recommendations for the earlier full-frame Nikon D600, we’ve now had the opportunity to assess a wide range lenses with that model’s replacement, the 24-Mpix D610. We’ve analyzed a total of 95 Nikkor and third-party prime and zoom models with the D610 to assess image quality, and we’ve come across some unexpected results. Read on to find out more about that and which lenses perform best when paired with the camera.
Super-telephoto lenses like these are indispensible for shooting action, sports and wildlife but their high price and limited versatility restricts accessibility to the average user. Most are to be found in the hands of photojournalists working on behalf of picture agencies, but it’s also true to say that a fair number are used by wildlife photographers including working professionals and well-heeled enthusiasts. Read on to see if the current iterations deserve their celebrated status.