Further readings for the Panasonic LUMIX G VARIO 14-42mm / F3.5-5.6 II ASPH. / MEGA O.I.S.
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
We’ve analyzed the image quality of 33 lens models, around 70% of the current range using the native MFT mount, on the new Olympus OM-D EM-10. Read on to find out which of those lenses perform best and which, if any, you should try and avoid when paired with the new camera.
Following the lens recommendations for Lumix DMC-GX7 we’ve now analyzed the image quality of Panasonic’s diminutive GM1 with over 33 lenses to assess the imaging characteristics specifically with the new camera. Read on to find out which of those models you should be using, and which, if any, you should try and avoid.
The Olympus OM-D E-M1 is the new flagship model in the range and features a newly-designed pro-grade body and a modified 16-Mpix sensor incorporating on-chip phase-detection pixels for backwards compatibility with the firm’s 4:3 lenses.
While we’ve not analyze the performance of those earlier lenses on the E-M1, we have assessed the image quality of 33 models (more than 70% of the current range) using the native MFT mount.
Read onto find out which of those lenses perform best when paired with the camera.
The depth of high quality primes and zooms for the PEN is, arguably, the most compelling reason to invest in the Micro Four Thirds system over rival mirrorless camera offerings. If you’re already a PEN E-P5 owner or you’re looking for advice or insights in lens performance in advance, this guide will aid you in making the right choice. Read onto find out which lens models in the range perform best optically.
Introduced during 2011, the 24-Mpix Sony NEX-7 remains a high-watermark for mirrorless models despite recent introductions from rivals. We’ve now had the opportunity to measure the performance of this camera with a number of promising new lens models. Read on to see how well the combination of Sony’s high-resolution APS-C sensor and the very latest E-mount lenses perform.
Panasonic’s entry-level DMC GF6 sees a return to a more conventional control layout and adds several useful features including a touch-sensitive, tilting monitor and easy wireless connectivity with smart-phones via WiFi with NFC capability. The new camera also features a 16-Mpix sensor, but just how well does it perform in our labs?
The Micro 4:3 market is full of technology, each new generation apparently having some new enhancement, with a new, more superlative name. Panasonic is no different, but this new Lumix G VARIO 14-42 f3.5-5.6 II Asph. Mega OIS carries neither the ‘Power Zoom’, or the ‘Power O.I.S’; there are aspheric elements but no ED glass. Without all the latest refinements is it worth having at all? Yes, it is: well priced and punches above its weight.
> Micro 4:3 is a very elegant concept: compact, making good use of the > technology, not having to accommodate a reflex mirror and so on. > However, the best optics available are not really outstanding.
Huh, that is a bold statement! But is it true? And compared to what?
<div id="linkdxomark">This a comment for <a href="http://www.dxomark.com/index.php/Lenses/Camera-Lens-Database/Panasonic/Panasonic-LUMIX-G-VARIO-14-42mm-F35-56-II-ASPH-MEGA-OIS">this page on the website</a></div>This review is helpful but would be even better if it included a comparison with the older 14-45mm and 14-42mm manual zoom lenses previously supplied with kits.
I have both of these, my GX1 came with the manual 14-42mm but I've since bought the 14-45mm which is much sharper. dpreview reviewed both these lenses some years ago and came to the same conclusion, so it would be good to know how these older lenses compare in DxOMark tests.