Further readings for the Sigma 85mm F1.4 EX DG HSM Canon
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
Two years after the launch of the first lens in its highly-respected Art line, Sigma has finally added a 85mm f/1.4 model. In case you’re unfamiliar with Sigma’s Global Vision, the Art primes are the company’s high-speed f/1.4 models that have have been developed to compete in image quality with the very best lenses from Canon and Nikon, and can even give legendary lens maker Zeiss a run for its money.
Announced in February 2016, the $749 Tamron SP 85mm f/1.8 Di VC USD (Tamron 85mm f/1.8) is a fast, short telephoto prime lens available in Canon, Nikon, and Sony lens mounts. This review considers the performance of the Canon version.
We’ve tested 130 lenses on Canon’s flagship camera, the full-frame 18-Mpix Canon EOS-1D X Mk II, covering focal lengths ranging from an incredibly wide 11mm up to a super-telephoto 600mm.
We’ve split the results between primes and zooms and then arranged them into three groups according to use. This equates to ultra-wide and wide-angle, standard, and telephoto to help you narrow down the best performer in each.
However, this time we’ve compared lenses from the perspective of the camera’s intended market — the photojournalist. While they’re not really any different from the next photographer when it comes to choosing focal length, there are some models that perhaps require further consideration.
Our technicians have tested no fewer than 130 lenses on Canon’s 50.6Mp EOS 5DS R Digital SLR. With the results for both prime and zoom lenses covering a diverse range of focal lengths, we’ve got all the data you need for picking out the right lens. In Part 1 of our three-part review, we bring you the analyzed and verified scores for standard zoom lenses as well as 35mm, 50mm and 85mm primes on the Canon EOS 5DS R.
With a full-frame 18-Mpix CMOS sensor and twin Digic 5+ processers that’s capable of continuous bursts of up 12 fps – the fastest of any professional DSLR currently - the Canon EOS-1 Dx is the firm’s flagship press camera. We’ve assessed it with over 100 EF mount lenses, to see how well they perform. Read on to find out which models are the best optically and which, if any, you should avoid.
In the first part of our comprehensive lens recommendations for the new entry-level Canon EOS Rebel T5 / 1200D, we’ve assessed a raft of primes from both the maker and third parties to see how well they perform on the camera. As well as highlighting the best performers we’ve also taken a closer look at the best on a budget.
Introduced in July this year, the EOS 70D at first sight seems like a regular update to the maker’s mid-range EOS 60D model. It shares a number of features with the firm’s existing SLR range including a 19-point cross-type phase detection AF system, a 3-inch (1.040M dot) articulated touchscreen and built-in WiFi connectivity with remote viewing and image transfer. The camera can also shoot at up to 7fps and has 1080/30p video recording with stereo sound using an optional external microphone.