Tamron has added a new moderate wide-angle Nikon F-mount SP 35mm f/1.8 Di VC USD lens to its range. It features a sophisticated optical layout with VC image stabilization, two ED glass elements and ...
The Nikon AF-S Nikkor 24mm f/1.8G ED (Nikon 24mm f/1.8G) is the seventh f/1.8 prime G-type lens to be added recently to the Nikkor lineup. Designed to maximize the resolution potential of sensors such ...
In Part 2 of our best lenses for the Canon EOS 5DS R review, we’re looking at the best optics for travel, wildlife, portrait and event photography. Whether you’re looking for a versatile zoom ...
Launched back in August 2015, but only recently available due to unexpected shipping delays, the new AF-S Nikon 24-70mm f/2.8E ED VR (Nikon 24-70mm f/2.8E) is an updated version of Nikon’s FX-mount fast-aperture standard ...
Announced at the IFA 2015 in Berlin, this new Micro-Four-Thirds Panasonic LUMIX G 25mm F1.7 ASPH lens is a welcome addition to Panasonic’s existing range. Read on to find out how well this new ...
Our technicians have tested no fewer than 130 lenses on Canon’s 50.6Mp EOS 5DS R Digital SLR. With the results for both prime and zoom lenses covering a diverse range of focal lengths, we’ve ...
Sigma has expanded the line up of high-end, high speed Art series lenses with this model, currently the widest in the range. Read on to find out how well this new model performs. ...
As an equivalent to a 28-300mm, this mark II version is an update to the earlier retro-looking model by the same name. It features the darkened chrome cosmetics and finely-machined zoom and focus rings ...
Another Sony lens that’s not new, exactly, but one we’ve been asked in our forums to review is the Sony E PZ 18-105mm F4 G OSS. Featuring the maker’s G moniker indicating high-end construction, ...
As an 24-105mm equivalent, this model features a constant f/4 maximum aperture, four-stop optical stabilizer in a compact design boasting no fewer than four aspherical lens elements, a Zeiss badge, and a $1,000 price ...
Early in the year Canon updated its high-speed 35mm f/1.4 L series prime, which is the first revamp of this model since the original was introduced in 1998. Read on to find out how ...
Designed exclusively for Sony E-mount cameras and the full-frame A7 series models in particular, the Zeiss Loxia 2/50 (50mm f/2), like the Otus ZF models, deliberately avoids AF in favor of a mix of ...
After releasing high-speed 35mm and 24mm primes, Sigma has turned its attention to more moderate f/2-speed models. But rather than competing head-on with fixed focal length models, the company has introduced a high-grade f/2 ...
The 14-150mm F/3.5-5.8 Di III is the first super-zoom from Tamron designed exclusively for Micro-Four-Thirds cameras. Read on to find out how well this new model performs. ...
Tamron’s super-zoom series has seen several revamps over the years, but the latest iteration, the equivalent to a 24-450mm, is something of a pioneer. Read on to find out how well this class-leading new ...
Although it’s not a new lens by any stretch, we’ve taken a look at Sony’s DT 16-50mm F2.8 SSM, a high-speed 24-75mm equivalent designed for the maker’s APS-C-format SLT cameras. Read on to find ...
Tamron’s popular 24-70mm f2.8 VC model, the maker has added a high-speed ultra-wide 15-30mm f2.8 version, complete with stabilization and a sonic-type AF motor. Read on to find out how well this new model ...
As the equivalent to a 60mm on a full-frame camera, and with a 1:1 magnification focusing down to just 4.1 inches (15mm), the new 30mm macro looks perfect for normal shooting as well as ...
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