This is the second part of the series of choosing suitable lenses for the APS-C format EOS 700D / REBEL T5i / Kiss X7i, where we’ll discuss ‘standard’ lenses (zooms and primes) as well as ...
Tamron’s latest 70-200mm f/2.8 is the first from the firm to feature image stabilisation (VC or Vibration Compensation, as Tamron calls it) and is now available in with a Nikon mount. After the Canon mount, ...
Canon’s lightest and smallest DSLR to date the EOS 100D (aka Rebel SL1 / Kiss X7) is unashamedly aimed at the entry-level market. However, boasting a 2nd-generation ‘Hybrid’ 18-Mpix CMOS sensor and many features of ...
After analyzing the lens performance of the Nikon Coolpix A, we’ve now turned our attention to that camera’s direct competitor, the Ricoh GR. Read on to see how well the GR lens stacks up against ...
After comparing the imaging chain of the full-frame Canon EOS 5D Mk III across a raft of lenses, we’ve now turned our attention to the APS-C format EOS 700D / REBEL T5i / Kiss X7i. ...
Nikon has had an 80-400mm lens in its range for the past 13 years, which it has now updated. This is not just a bit of a tweak though; the new lens is sharper, better ...
Announced in early 2011, the Canon EF500mm f/4L IS II USM and EF600mm f/4L IS II USM are updates to two highly respected lenses aimed squarely at professional wildlife and sports photographers, or those who ...
The $348 Sony E 20mm f/2.8 is a wide-angle prime for the Sony NEX range of hybrid still cameras and Interchangeable Lens camcorders. Its equivalent 30mm wide-angle focal length is ideal for interiors, landscapes or ...
Released in April 2013, the Ricoh GR goes by the tagline of “Everything is big, except the size”. It points clearly to the raison d’être of this camera – to be a compact model with ...
Nikon’s new Coolpix P330 is a classy ‘compact camera’. It’s very average when it comes to mundane things like size and weight but it performs better than many much more expensive cameras and has a ...
With a quad-core processor at its heart the highly anticipated Samsung Galaxy S4 boasts an incredible 1080p 5-inch AMOLED display and has upped the camera sensor to 13M-Pix. Does any of this make a real ...
This is the third and final part in our series on selecting the best lenses for your Nikon D600, looking at the performance of standard lenses, primes and zooms. ...
This is the second part in our three-part series on selecting the best lenses for your Nikon D600, concentrating on wide-angle and telephoto lenses. ...
Following on from our series of selecting the best lenses for the Nikon D800 with its potential for massively detailed images from the 36Mpix sensor, we’ve now turned our attention to that camera’s younger sibling, ...
It seems that every passing month brings a new compact camera to the market, featuring a large sensor and the promise of higher image quality than its peers. However, while the sensor is often the ...
Announced only in February this year alongside the Sony made Zeiss branded 50mm f/1.4 ZA SSM, the 70-400mm F4-5.6 G SSM II lens is an upgrade to the original silver finish model introduced in 2009. ...
When zoom lenses were first beginning to be viable alternatives to a bagful of prime lenses back in the 1980’s there were two focal length ranges that were dominant, 35-70 and 70-200: the ‘standard zoom’ ...
Launched in February 2011, the Sigma 50-150mm f/2.8 EX DC APO OS HSM is a trans-standard zoom lens aimed at APS-C camera users. On these APS-C models, the crop factor of the sensor (1.5x on ...
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