After analyzing the sensor performance of the new Sony RX100 II we’ve now had the opportunity to assess its Carl Zeiss Vario-Sonnar T* 28-100mm (equivalent), f/1.8-4.9 zoom. Read on to see how well the ...
Featuring a 12-Mpix back-illuminated 1/1.7inch type CMOS sensor, the Panasonic Lumix DMC-LF1 is highly portable compact camera with a hugely versatile, image stabilized 28-200mm (equivalent) f/2.0-5.9 zoom. This is our first lens test on ...
This is the third and final installment of a three part series on choosing the most suitable lenses for Canon’s entry-point into full frame photography, the EOS 6D camera. The 20-Mpix CMOS sensor used ...
After the runaway success of the full-frame 35mm f/1.4, Sigma is taking the initiative with this new ultra-high speed, pro-level standard zoom designed for APS-C format cameras. The specification is particularly promising, but does ...
After achieving an excellent reputation for its imaging characteristics, Sigma has revised this popular high-speed APS-C format standard lens, adding it to its high-performance Art line. Read on to see how well this new ...
This is the second of a three part series on choosing the most suitable lenses for Canon’s entry-level full frame camera, the EOS 6D. The 20-Mpix CMOS’ sensor used is similar in architecture to ...
Panasonic’s Lumix DMC-LF1 is new highly portable compact camera with a 28-200mm (equivalent) f/2.0-5.9 Leica-branded zoom sitting in front of a 12-Mpix back-illuminated 1/1.7inch type CMOS. It’s also the first of its type to ...
With a fixed f/2.8 aperture and no direct equivalent from Canon or Nikon its predecessor, the Tokina AT-X 116 PRO DX, was hugely popular with press photographers and HD filmmakers alike. Read on to ...
Mirrorless cameras, especially the smaller Micro Four Thirds format, offer the portability and convenience that’s rarely seen with even the smallest DSLRs. With that in mind, these two price sensitive, high magnification IS-equipped zooms ...
Super-telephoto lenses like these are indispensible for shooting action, sports and wildlife but their high price and limited versatility restricts accessibility to the average user. Most are to be found in the hands of ...
Samsung is one of the few makers with the capability to supply sensors for its own mirrorless cameras. The Wi-FI enabled finder-less NX300 and NX210 are just two of such cameras from the consumer ...
In the lead up to Photokina 2012, Canon announced the new Canon EOS 6D full-frame entry-point model within days of Nikon publicizing their most-affordable full-frame camera to date, the 24-Mpix D600. While the EOS ...
This is the first of a three part series on choosing suitable lenses for Canon’s entry-level full frame camera, the EOS 6D. The 20-Mpix CMOS’ sensor used is similar in architecture to that in ...
Although compact and likeable enough, Olympus’ first 17mm for MFT (Micro Four Third) wasn’t one of the best performing lenses. With a fast maximum aperture, this new lens aims to build on the popularity ...
Sony’s update to the Cyber-shot DSC-RX100 includes provision for a optional EVF and a useful pull-out rear LCD, but the head line news is the inclusion of a newly developed back-illuminated Exmor R BSI-CMOS ...
While Samsung has a number of zooms in their mirrorless NX lens range, their primes consist of an intriguing amalgamation of compact ‘pancake’ types, ultra-high speed designs and special purpose models. We’ve assembled five ...
Introduced during 2011, the 24-Mpix Sony NEX-7 remains a high-watermark for mirrorless models despite recent introductions from rivals. We’ve now had the opportunity to measure the performance of this camera with a number of ...
Panasonic’s Lumix DMC-G6 is the update to last year’s DMC-G5 MFT camera, the firm’s $750 mid-range EVF equipped model sitting above the entry-level finder-less DMC-GF6 yet beneath the mighty video-maker’s favorite DMC-GH3. The new ...
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