After analyzing the performance of the new Zeiss Otus 1,4/55 in Nikon mount we’ve had the opportunity to do the same with the ZE (EF) mount version. Read on to find out how well ...
After the success of the 16-Mpix K-5II and K-5IIs without AA filter, Pentax has replaced the pair with a new flagship model, the K-3, with a 24-Mpix sensor boasting a user-selectable AA filter for ...
Following on from the lens recommendations for the earlier full-frame Nikon D600, we’ve now had the opportunity to assess a wide range lenses with that model’s replacement, the 24-Mpix D610. We’ve analyzed a total ...
High-end lens maker Carl Zeiss has just released the first model in a series of high-grade DSLRs lenses in Nikon mount and we were more than curious to see if the performance of the ...
Following on from the lens recommendations for the earlier full-frame Nikon D600, we’ve now had the opportunity to assess a wide range lenses with that model’s replacement, the 24-Mpix D610. We’ve analyzed a total ...
Sigma’s move away from the value-end of the market has resulted in some very high-quality yet sensitively priced lenses such as the full-frame 35mm f1.4 HSM A and this lens, the APS-C format 18-35mm ...
The Sony NEX-5T is an update of the firm’s NEX-5R model, introduced last year. It retains all of the features of its predecessor including the same 16-Mpix APS-C sized CMOS sensor but adds adding ...
Following our recommendations for the flagship Sony SLT-A99, we’ve had the opportunity to assess the firm’s semi-professional 24-Mpix DT (APS-C) format model - the SLT-A77 - with a sizeable collection of Sony and third-party ...
Introduced alongside the firm’s new top-of-the-range OM-D E-M1 model, this new pro-grade standard zoom is the long awaited rival to Panasonic’s constant aperture G X Vario 12-35mm f2.8 ASPH model. Read on to find ...
The Nikon D5300 is the successor to the year old D5200 featuring a similar 24-Mpix CMOS sensor of it predecessor but lacking an optical low pass filter for improved clarity. Read on to find ...
Nikon’s manual focus ultrafast Noct-Nikkor was in production for 20 years and was removed from the line-up two years before the introduction of the APS-C Nikon D1 in 1999. While this high-grade model eschews ...
Panasonic is refreshing older lenses in its line-up with a more modern looking exterior finish and, with this model, a new optical design that makes it smaller, lighter and more modestly priced than its ...
Panasonic has refreshed one its most popular and best loved lenses in its line-up, the diminutive 20mm f1.7 ASPH. Although the new model has a revamped exterior finish, the firm says the optical construction ...
Sigma’s full-frame 50-500mm f4.5-6.3 stabilized telephoto zoom is a promising looking model for wildlife, nature and sports. At $1,660 it’s temptingly priced for a lens of this potential, but how well does the Canon ...
The Sony Alpha 7R is the most expensive of the two full-frame Alpha 7 mirrorless models announced earlier in the month. Externally the two share the same body and much of the same feature ...
Launched after the power-drive (PD) zoom model of the same focal length and relative aperture for the Nikon 1 system, this lens is lighter, more compact version that should single it out as a ...
Following our sensor review of the new Canon PowerShot G16, we were curious to analyze the performance of the stabilized 5x optical zoom. As the equivalent to a 28-140 mm f1.8-2.8, it’s a high-speed ...
Olympus always said the OM-D was a new line of cameras, and sure enough, after the delightful E-M5 the firm announced the flagship E-M1. With a new exterior design and a long-list of improvements ...
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