To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
Following Nikon’s announcement in November 2015 about having developed of a new flagship FX-format DSLR, rumors about its specifications have abounded. Well, speculation can now cease, as the Japanese manufacturer has officially launched the new Nikon D5 with some mouth-watering performance capabilities for the professional photographer.
If you read the forums on colleagues’ sites lots of users lament the selling of their old full-frame Canon EOS 5D, Nikon D700 or even their bulky Nikon D3 or D3s. Practically every user, so it seems, says their pictures from those old models had something special that the newer models lack. Sony think they may be on to something and have introduced the A7S a full-frame model with a newly-developed 12.2-Mpix CMOS sensor. Read on to find out well this new model performs?
Just in time for the Football World Cup Nikon have launched a new super telephoto prime lens for professional sports & news photographers. The AF-S Nikkor 400mm f/2.8E FL VR promises improved optical performance, in a lighter and more ergonomic design, together with a brand new SPORT VR mode.
In the course of the past several weeks, both Canon and Nikon unveiled their professional digital reflex cameras for the next two years to come. With the D4, Nikon has updated a number of points in its pro camera body which cumulatively lead to an entirely new generation of SLR camera.
Launched in spring 2010, the Nikon AF-S Nikkor 16-35mm f/4G ED VR was a very good surprise for Nikon enthusiasts who previously had only a choice between the very good but expensive (and heavy) AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED and the Nikon AF-S Nikkor 14-24mm f/2.8G ED.