To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
As the current flagship model in the range of Sony’s APS-C format mirrorless cameras, the Sony A6300 is fitted with a newly-developed 24-Mpix APS-C CMOS sensor and BIONZ XTM processor. With a native ISO range up to 25,600 and continuous shooting at up to 11 fps, along with 4K video, the A6300 offers a wide range of capabilities in a small package. Read on to find out how well this model’s new sensor performs.
As an 24-105mm equivalent, this model features a constant f/4 maximum aperture, four-stop optical stabilizer in a compact design boasting no fewer than four aspherical lens elements, a Zeiss badge, and a $1,000 price tag to match. Read on to find out how well this model performs.
Packing a 28.2Mp BSI CMOS sensor, the Samsung NX500 is one of the highest-resolution APS-C hybrids cameras currently available. Wasting no time after posting scores for its sister model, the NX1, our latest review analyzes the stats and scores for the NX500.
We’ve tested the image quality of the 24-Mpix Sony A6000 with over 23 zoom and prime lenses. Read on to find out which of those models perform best with Sony’s current top-of-the-line APS-C mirrorless model.
Panasonic GH series of micro four-thirds cameras are some of the best all-round video and stills hybrid solutions currently available. Read on to find out how the new 4K capable Four Thirds sensor in GH4 performs.
Recently announced in a black finish, the original chrome-bodied version was the first telephoto zoom for the firm’s NEX mirrorless models and was intended to complement the 18-55mm kit lens. Read on to find out how well it performs.
Continuing our series of lens recommendations for new camera models, we’ve had the opportunity to assess the new entry-level Sony A3000 - the first of a new DSLR form-factor from the firm to adopt the mirrorless E-mount. We’ve assessed and collated data on a sizeable collection of Sony and third-party prime and zoom models to assess image quality. Read onto find out which of these models perform best when paired with the new camera.
Continuing our series of evaluation of lens systems we’ve assessed a modest range of Pentax and third-party lenses for their optical quality on the firm’s new flagship Pentax K-3 model. As the replacement for the K-5 II and K-5 IIs, the Pentax K-3 has a new higher pixel density 24-Mpix sensor without an AA filter, and is a promising platform for lens evaluation. Read on to find out which models perform best, and which, if any, that should be avoided.
Although not officially released in the US, as the equivalent to an 18-35mm the new EF-M 11-22mm f4-5.6 IS STM is an essential addition to the EOS M system. Read on to find out how well it performs in our labs.
Ok. 1) In order for one to claim the best lenses for a camera system then order them based on their performances, he must test all native lenses first. How come you guys miss 18-55mm zoom lens that almost all of us owned it before PZ lens was out? We all know 18-55mm zoom gives a better performance than 18-200mm in many ways. Some of us say it is better than PZ 16-50 too. So it would place within the first 3 but yet its not even in the list. 2) I would put Rokinon 8mm f2.8 in this list in somewhere on high levels too. It is an e-mount lens.
Hope you will correct your list with the 1) addition. then enrich it with rokinon and dslr magic lenses.
I'm surprised that the Sony 50mm outperform the Zeiss 24mm. I'm not convinced this is the case in real world shooting of these two lenses. Although mechanically its probably easier to make a good 50 than a good 24. I was shooting with someone who had the Sony while I was using the Zeiss and I had better light transmission...I don't believe he was using a filter and I was. Regardless, thank you for the above review.
Please add the SLR Magic Hyperprime 50mm f0.95 to the review list.
I am not surprised at all. I use both. 50mm is a better lens. Both on sharpness, low CA and low vignetting. Also it is a OSS lens. 700$ less than Zeiss is the last reason that makes it again better than 24 zeiss. In fact I would vote for sel35 f/1.8 to be again better than 24 zeiss too. I also own this lens. It is significantly smaller than zeiss and costs less than half. Performance of this lens is minimally worse than zeiss that everybody can live with that.
I've tried two samples of the Sony 50mm f1.8 against the Zeiss / Sony 24mm f1.8 and neither of the Sony's performed as well. My observation is that the Sony at f8 about equals the Zeiss at f4, with the Zeiss having at least a 1.5-stop advantage at wider apertures. From f1.8 to f4, the Zeiss is sharper, with better contrast and lower chromatic aberration. What I see looks a lot closer to what slrgear.com found in their testing of both lenses.
I must continue to misunderstand ! The 20 mm is poor in sharpness as it is a pancake !! I have the sel24f1.8 and i find the 12 mm to be as sharp as the 24. All review i read, and especially the ones coming from "le monde de la photo" and "chasseur d'image" which are famous specialized photography magazines in France, explains the Touit 12 mm to be sharper than the Touit 32 mm Touit. But you give huge different scores between the 32 and the 12 !! So, may be you had a bad sample or it must be a mistake...
Zeiss touit 12mm and Sel 20mm same score of 17 ... but completly differents conclusions :
Sel 20mm : "Optically it’s far from perfect" ... "A sharpness score of 10 P-Mpix is disappointingly low for lens tested on 24-megapixel sensor like the Sony NEX-7 and slight barrel distortion is noticeable"
Zeiss Touit 12mm : "The two new Touits from ZEISS live up to our expectations. While we’re unable to test these lenses on Fujifilm X-Series cameras currently, the results are likely to be very similar. On the Sony NEX-7, both lenses are very good indeed, excellent even, ..."
And from my point of view has i have both, there is nothing to compare in quality terms between this 2 lenses.
Both focal are different. Performing a similar score for a 12mm compared to a 20mm is a pretty good result for the Zeiss Touit. About the 12mm Zeiss Touit, you can check the 12mm comparison http://www.dxomark.com/index.php/Publications/DxOMark-Reviews/ZEISS-Touit-2.8-12-and-Touit-1.8-32-Sony-mount-lens-reviews-performance-at-a-price/ZEISS-Touit-2.8-12mm-vs-competition There we pointed some weaknesses too such as chromatic aberration for instance.
I mainly take pictures with my SLR Magic Hyperprime 50mm f0.95 and with a Samyang (or in my case called Walimex) 35mm T1.5 (video edition, also available f1.4). The whole Samyang line seems to be faster (there is also a 85mm 1.4 and 24mm 1.4) though a lot bulkier. Would be nice to read a test of one of those lenses.