Further readings for the Canon EF 24mm f/1.4L II USM
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
In Part 2 of “Best lenses for the EOS 7D Mark II,” we’re looking at the performance of primes on Canon’s flagship APS-C sensor.We’ve analyzed over 300 fixed-focal-length lenses on the EOS 7D Mark II, including own-brand Canon EF and EF-S lenses that are designed specifically for use on the Canon APS-C sensor. Covering a range of third-party alternatives as well, our comprehensive analysis will help you pick out a prime, whatever your photographic needs.
With a full-frame 18-Mpix CMOS sensor and twin Digic 5+ processers that’s capable of continuous bursts of up 12 fps – the fastest of any professional DSLR currently - the Canon EOS-1 Dx is the firm’s flagship press camera. We’ve assessed it with over 100 EF mount lenses, to see how well they perform. Read on to find out which models are the best optically and which, if any, you should avoid.
We’ve had the opportunity to test the new ultra-high speed Samyang 24mm F1.4 prime, and thought we would alter our usual review format to take a look at the best lenses for Canon full-frame users. Read on to find out how well the Samyang performs in our tests and if that or a rival model is the best choice.
Introduced in July this year, the EOS 70D at first sight seems like a regular update to the maker’s mid-range EOS 60D model. It shares a number of features with the firm’s existing SLR range including a 19-point cross-type phase detection AF system, a 3-inch (1.040M dot) articulated touchscreen and built-in WiFi connectivity with remote viewing and image transfer. The camera can also shoot at up to 7fps and has 1080/30p video recording with stereo sound using an optional external microphone.
After the runaway success of the full-frame 35mm f/1.4, Sigma is taking the initiative with this new ultra-high speed, pro-level standard zoom designed for APS-C format cameras. The specification is particularly promising, but does it mean the end of fixed focal lenses for APS-C? Read on to see how well this cutting-edge model performs in our labs.
For shooting high quality landscape, architectural or interior photos, a “fast” wide-angle prime is a must. They offer significantly improved optical performance over many zooms that, while versatile, often suffer distortion and edge softness at wide focal lengths and maximum apertures. Let’s take a closer look at the Carl Zeiss 25mm f/2 wide-angle prime for Nikon and Canon lens mounts to see what it has to offer.
The second in our series of selecting the best-quality lenses for your camera concentrates on one of the most highly-anticipated cameras of our time, the successor to the hugely popular EOS 5D Mark II. But by the time it was announced, in early March, it’s probably fair to say Nikon had taken fair amount of interest away by announcing the 36M-Pix D800 and D800E models the month before. Be that as it may, there’s no denying the 22.3 M-Pix EOS 5D Mark III is a remarkably capable camera, and a formidable rival to the Nikon.
After almost 25 years, Canon has updated one of its oldest prime lenses with the new Canon EF 24mm f/2.8 IS USM. Adding optical image stabilization and a ring-type ultrasonic autofocus motor, the new fixed, wide-angle lens is an update to the Canon 24mm f/2.8 wide-angle prime originally released in November of 1988.
In this review of micro 4/3 wide-angle lenses, we will cover both prime and zoom lenses to give you an good overview of how manufacturers managed to design good-quality lenses in a small form-factor for these focal ranges.