Further readings for the Nikon AF-S Nikkor 24-70mm f/2.8G ED
To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
The Nikon D750 is an affordable 24.3Mp full-frame DSLR with attractive-looking specs for both the enthusiast and the professional photographer. It’s capable of producing outstanding pictures, but the quality of the lens used has a bearing on image quality. We’ve analyzed the performance of 105 lenses on the Nikon D750, and in part one we bring you an analysis of the top three zoom lenses in six different categories.
Following on from the lens recommendations for the earlier full-frame Nikon D600, we’ve now had the opportunity to assess a wide range lenses with that model’s replacement, the 24-Mpix D610. We’ve analyzed a total of 95 Nikkor and third-party prime and zoom models with the D610 to assess image quality, and we’ve come across some unexpected results. Read onto find out more about that and which lenses perform best when paired with the camera.
This is the second part of our lens recommendations for the Nikon D7100 where we’ve analyzed nearly 60 Nikkor and third-party standard and portrait prime and zoom models to assess their optical quality. Read onto find out which of these lenses are the best performers when paired with Nikon’s ultra-high resolution 24-Mpix APS-C format semi-pro model.
Following on from our series of selecting the best lenses for the Nikon D800 with its potential for massively detailed images from the 36Mpix sensor, we’ve now turned our attention to that camera’s younger sibling, the 24Mpix D600.
Launched in February 2012 the Tamron SP 24-70mm f/2.8 Di VC USD is a ‘fast’ standard zoom available in Nikon, Sony and Canon lens mounts. On full frame DSLRs its wide-angle through to short telephoto focal range is ideal for general use photography, and featuring Tamron’s VC image stabilisation system, as well as a fixed f/2.8 maximum aperture, its low-light credentials are pretty hot, too.
Introduced in 2007 alongside the AF-S Nikkor 24-70mm f/2.8G ED and Nikon’s first full-frame DSLR – the 12-megapixel Nikon D3 – this lens was a first of its kind and set new standards for image quality for ultra-wide angle lenses. How does this lens perform on demanding high-resolution bodies, such as the 36-MPix Nikon D800? DxOMark has the answer.
Announced in 2012, the Nikon D800 is the current undisputed king of DxOMark, with results that eclipse every other camera from all other manufacturers. However, with so much resolution on tap, the question is, which lenses should you use to make the best of what you’ve got? The DxOMark labs have tested 61 different lenses on the D800 to bring you an unparalleled resource of which lenses are best and which should be avoided. To make it easy to follow, we have broken the reviews down into sections so you can concentrate on the lenses that are important to you. This first section will give you an overview of the D800. We will follow this with a review of the standard focal length lenses, then the telephoto lenses and super-zooms and finally there will be a wide-angle review.
Announced in February 2012, the Tamron 24-70mm f/2.8 lens Di VC USD is the latest full-frame, fast aperture standard zoom from the Saitama, Japan-based optical firm and is the first of its type to add VC (Vibration Control) image stabilization. Costing $1299 and available in Canon, Nikon and Sony fittings (the latter albeit without VC) and featuring USD (Ultrasonic Silent Drive) technology, it’s an obvious alternative to the pricier offerings from the top-names. Could this lens be a contender in the IQ stakes? Read on to find out.
Introduced in February 2012, the EF24-70mm f/2.8L II USM is the long-awaited update to Canon’s pro-grade standard zoom and replaces the highly regarded EF24-70mm f/2.8L USM. Designed with the objective of improving image quality and providing greater durability for daily use with digital cameras, it has a completely revised optical design as well as an enhanced mechanical construction. As full-frame lens, it’s compatible with the firm’s full range of DSLRs including 1.6 (APS-C) and older APS-H (1.3x crop) DSLRs making it an attractive choice to a wide of range users. However, at around $2,500 it’s not likely to be a casual purchase.
The Sigma 17-70mm OS HSM replaces the previous Sigma 17-70mm HSM launched in 2006 and it’s the equivalent of a 25-105mm on a Full-frame camera.This new model has stabilization.
The 24-70mm f/2.8 is the classic trans-standard lens for Full Frame and it’s available for Canon and Nikon mounts. With a fixed aperture of f/2.8 this lens is fast and suitable for any circumstance. The Sigma 24-70 competes vs. famous and pricey models such as the Canon EF 24-70mm f/2.8L USM and the Nikon AF-S Nikkor 24-70mm f/2.8G ED, we will compare them all on this review.
Nikon AF-S Nikkor 24-70mm f/2.8G ED bad Chr aberration results
Nikon explained to me that the Nikon AF-S Nikkor 24-70mm f/2.8G ED was made of a very special glass to reduce Chr. aberration to a minimum. Any idea why the Chr. aberration is especially bad with this lens?
After using this lens for a while I noticed the Chromatic aberration is specifically bad with this lens. Opening the raw files with Adobe camera raw i get easily visible green shadows on the right of dark objects and red ones on the left.