To provide photographers with a broader perspective about mobiles, lenses and cameras, here are links to articles, reviews, and analyses of photographic equipment produced by DxOMark, renown websites, magazines or blogs.
Canon’s iconic EOS 5D series of full-frame DSLRs have had wide appeal with both pro and enthusiast photographers, blending great image quality and good features in a more affordable mid-range body design. Boasting a significant number of upgrades over its predecessor, including increased resolution, an updated autofocus system, Dual Pixel RAW capture, improved metering and 4K-video capture, the latest Mark IV looks like a mouth-watering prospect for the still photographer.
Announced as one of a trio of lenses in the new G Master series, the new FE 24-70mm F2.8 GM boasts some pretty advanced technology to complement future sensor and camera designs. The G Master range sits above the maker’s already high-end G series and carries a hefty premium. The FE 24-70mm F2.8 will set you back close to $2,200.
Tamron has added a new moderate wide-angle Nikon F-mount SP 35mm f/1.8 Di VC USD lens to its range. It features a sophisticated optical layout with VC image stabilization, two ED glass elements and two aspheres. Read on to find out how well this new model performs.
Our technicians have tested no fewer than 130 lenses on Canon’s 50.6Mp EOS 5DS R Digital SLR. With the results for both prime and zoom lenses covering a diverse range of focal lengths, we’ve got all the data you need for picking out the right lens. In Part 1 of our three-part review, we bring you the analyzed and verified scores for standard zoom lenses as well as 35mm, 50mm and 85mm primes on the Canon EOS 5DS R.
Early in the year Canon updated its high-speed 35mm f/1.4 L series prime, which is the first revamp of this model since the original was introduced in 1998. Read on to find out how well this new lens performs.
Designed exclusively for Sony E-mount cameras and the full-frame A7 series models in particular, the Zeiss Loxia 2/50 (50mm f/2), like the Otus ZF models, deliberately avoids AF in favor of a mix of manual mechanical controls and electronic data transfer. Read on to find out how well this lens performs.
After releasing high-speed 35mm and 24mm primes, Sigma has turned its attention to more moderate f/2-speed models. But rather than competing head-on with fixed focal length models, the company has introduced a high-grade f/2 zoom instead. Read on to find out how well this intriguing model performs.